Café Society

The enchanting atmosphere of the Golden Age of Hollywood era and the playing out of a love story promises more than what the movie can deliver in its second half: a clichéd love tangle and the unnecessary secondary storyline with a gangster brother. Jesse Eisenberg and Steve Carell are great, while Kristen Stewart doesn’t seem the right choice for her role. Blake Lively would deserve more space, though the development of her character would probably bring more clichés to the film. The movie feels longer than it actually is. A tired Woody. Two and a half stars. (23/09/2016)

Woody Allen is still making the same thing, but in an increasingly heady and mature way, and in an increasingly refined formal package. Another accurate and perfectly shot relationship drama from the 1930-40s in the irresistible glitter of the bygone glory of the old party cabarets, frills and refinement of the elite of the time. It's a film that is all the more powerful the more times you find yourself in the various relationship and emotional breakdowns of the main characters. Someday Woody will be remembered a lot, as he was able to extract a bunch of stuff from life and put it on film with refinement and insight, yet crystal clear truth like few filmmakers, and in an original and typically quirky way that has become his own and he applies it as his signature trendy trademark. (16/02/2017)

It's a love triangle, that's all there is to it and the whole thing kind of fizzles out. Woody only makes films out of inertia these days, but Café Society in particular is so caressing, cute, and in its own way, endearingly old-fashioned, especially since it has the flawless atmosphere of 1930s Hollywood, an era that has always appealed to me, an old-timer. In addition to that, I realised that Stewart can be attractive when the role allows her to. And in fact the ending was exactly as melancholic as it should. (19/12/2016)

Last time, I was quite enthusiastic about Magic in the Moonlight, but Café Society is even better. I haven't experienced this much authentic happiness from interwar Hollywood in a long time. There are plenty of excellent details, winking, and playing with names and projects, as well as the classic relationship analysis. It's not necessary to enjoy a romance that isn't quite tip-top, but if you appreciate art deco and a zillion references to all those names like Gloria Swanson, Barbara Stanwyck, Ginger Rogers, or Jean Harlow, you've come to the right place. The costumes, the sets, and the atmosphere are all top-notch, and only after all this did I realize that the make-up is not period-based, but fortunately, that doesn't ruin the whole (which is an interesting paradox). (27/09/2016)

51st KVIFF – Allen has made a recycled, safe comedy snack. Eisenberg plays a confident and absent-minded young man. Steward city is a mess, so there’s balance in the universe and everything is where it should be. The characters aren’t real people, but one-dimensional figures on the chessboard of Woody’s humour, and everything just fizzles out. (10/07/2016)