Anthropoid

Ellis had been thinking for so long about how he was actually going to conceive the film when suddenly filming started here. The result is a jagged mutant that straddles the line between a classic wartime love in the times of Nazi cholera and a stripped-down historical reenactment with occasional glimpses of Hollywood narrative crutches (the recurring motifs of putting a bullet in the chamber, Shakespeare, Geislerová under the hose). The result is a dull grey where you don't give a damn. The romantic storyline is uninteresting because the characters are completely alien and impenetrable, and the relationship entanglements in turn detract from the reenactment. There are strengths in the sub-elements that Ellis can dabble in, especially in the second half, and that's why the assassination itself and the action climax in the church manage to hook you appropriately with their relentlessness, intensity, and confused subjective camerawork. This raises the question, then, of where the scenes came from where we have a close-up of Shakespeare's Julius Caesar in the hands of one character reading perhaps the most famous line from the play to another, whereupon he dramatically slams the volume shut and says "That was Shakespeare." The only thing that thus ties the whole thing together is the fecal brownish filter with which it is smeared. And by the way, the ones who once again lose the whole Operation Anthropoid thing here are the Germans, who again fill their roles from dozens of computer shooter games, where their role is either to yell German and bully civilians in the street, or to yell German and climb into the heroes' wounds. That's how you conquer two-thirds of Europe, it takes real savvy. (19/01/2017)

The first movie about Czechs in a long time that we needn’t feel embarrassed about. Operation Anthropoid was a purely political move meant to prove to the Brits that Czechoslovakia had the right to reappear on the map. It demonstrated that we were still a force to be contented with and it’s a little strange that this was filmed by a Brit and not a Czech. This was a project of love for Sean Ellis and that is evident throughout the movie. The beginning is rather slow, but this gives Kubiš and Gabčík the chance to gain sympathy with the viewer, and the year 1941 certainly wasn’t all hustle and bustle. The range of different accents didn’t bother me, and could be expected due to the international cast. Super acting, Dornan tries very hard, Murphy in Shelby mode (from Peaky Blinders) and both of the girls are really fine. The atmosphere of fear and anticipation works perfectly and the bloodbath finale in the church is both naturalist and full of despair. Just that dumb piano toward the end spoils things. A decently filmed piece of history which, despite minor flaws, is on a level with the competition. (29/09/2016)

I'm very much looking forward to the dubbed version, which is probably a first. But otherwise, I have to admit that Anthropoid is a tasteful perspective from the outside and a good counterpart to The Assassination. The Czechs have small roles and, led by Aňa, they add to the atmosphere and the final shootout will make you hold your breath and keep your eyes wide open. (02/10/2016)

A solid performance with the likeable Cillian Murphy/Jamie Dornan duo. The first half is a bit too slow for me, but after the assassination the film picks up decently, there are some disturbing scenes and it all culminates with an excellent church shootout that has a lot of pizzazz and drive. A decent film about us. 75% (25/10/2016)

A bleak, exclusively interior film with little panache. It's a bit of a shame, but you don't come across Spielberg every day, so the artistry is for next time. Fortunately, Anthropoid makes up for this with passion for the material, tenacity and a gripping last half hour. Murphy and Dornan are awesome. The testimonial value is of course next level. (25/10/2016)