The Accountant

Ex Navy Seals dudes got their asses handed to them by Denzel Washington in Equalizer, so they did a rematch in The Accountant and got their asses handed to them again, this time by Ben Affleck. It's not nearly as spectacular and visually captivating as former, but thanks to an interesting crime premise and great actors, it's no less entertaining, but on a slightly different note. The action is raw, manly and clear. The script, given the film's concept, is atypical, with some interesting digressions that usually make for the best acting (Bernthal - brotherly bond, Simmons - self-doubt, Lithgow - the practices of corporate politics), so the final impression is more than pleasant. One of the most compact little big action thrillers of recent times. (06/11/2016)

Definitely one of the surprises of the year. This intricate psychological drama about autism, O'Connor is interspersed with John Wick-style brutal, kick-ass action. Affleck is brilliantly cast. The story moves along nicely and there’s always something happening. Even the accounting part is entertaining. No shortage of witty situations involving Ben vs. the Normal World. Bernthal makes a great villain. Imagine Batman vs. Punisher, who wouldn’t watch that? (05/11/2016)

If you ignore the overcomplicated plot, the laughable attempts at psychological profoundness and the weird twists, it works fine. The statuesque Affleck is a good choice for the character of an autist (regardless of whether his character has anything to do with the real capabilities of an autist). The action is good and executed without hesitation; a 7/10 overall, and I’m rounding up for how they settle the tab with the main villain. (16/11/2016)

Unfortunately, I didn't trust Ben Affleck with this character for even a moment (well, okay, in the action scenes let's say I did, but that's probably not what it was supposed to be about). Moreover, the story is one that can surprise the viewer, but surprise him with such unbelievable shenanigans that he can't help but shake his head at them. (02/05/2017)

All right, autistic people are beautiful creatures, but don't give them weapons and super computers, because they'll probably start a secret service. I haven't seen a film in a long time that falls apart so grandiose after a captivating introduction. The first part, where the viewer actually watches the very routine actions of the main character and a few hints, is not boring and attracts with promises of interesting revelations. Gavin O'Connor also directs very smoothly and elegantly. The second half, where the information deficit is being addressed and something needs to be unraveled quickly, was probably written in a secret collaboration between Cimrman and Jarchovský. I haven't seen an explanatory monologue used worse since Innocence. When J. K. Simmons, with his feet on the table, explaining 90% of the story, it's on the verge of non-art. And the final revelations are really almost a crazy comedy. If at the beginning the question arises as to whether realism and action exaggeration will be fighting against each other in the film, the conclusion offers a ready-made orgy of things that do not fit together. I absolutely appreciate the grace with which both Affleck and (again amazing) Bernthal handle the WTF moments. And I don't have to be autistic to figure it out. (02/01/2017)