The Jungle Book

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Based on Rudyard Kipling's timeless stories and inspired by Disney's classic animated film, "The Jungle Book" is an all-new live-action epic adventure about Mowgli (Neel Sethi), a man-cub who's been raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat. Urged to abandon the only home he's ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera (voice of Ben Kingsley), and the freespirited bear Baloo (Bill Murray). Along the way, Mowgli encounters jungle creatures who don't exactly have his best interests at heart, including Kaa (Scarlett Johansson), a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie (Christopher Walken), who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire. (Walt Disney US)

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Reviews (14)

3DD!3 

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English The story is the good and never too old Kipling’s classic enriched with a couple of contemporary metaphors, but when it comes to special effects it is a fantastic joyride through the Indian jungle, almost identical to Avatar. The action in the temple is big and thrilling. Kids will dread monkeys. Which is good. Walken as Louis slightly copies Brando in Apocalypse Now. Even the classic songs and scenes work well and the scenes with Baloo are just overflowing with optimism. ()

EvilPhoEniX 

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English This year the animals rule!! From the opening minutes, The Jungle Book took my breath away with intensity and nostalgia so much that if I hadn't swallowed all the pills on the table, I would probably be dead. This is literally and to the letter a fairytale orgasm! If someone had told me at the beginning of the year that the villain of the year would be a tiger, I would have laughed it off with gusto, and today I would be tapping my forehead because what Sher Khan did here for an animalistic, dominant and superior performance, hats off to him, my respect was as high as ever, and that's not even mentioning the other evil that can lurk in the Jungle, it's just never safe there. The Jungle Book is also very informative, visually breathtaking, at times you don't know if you are looking at the real world or the digital world even though you know it is all digital; the animals are look amazing, they have great characters and I believe that this is how it works in real life. I must also praise the very intense pace, the tension builds up by the minute and so do the emotions – I found myself in tears twice and after each scene with the elephants. I put the film in the top list and this year it will definitely defend the top positions, I haven't had such an experience from a film in a long time. The film has only one fault and that is that it is not an hour longer. 150%. ()

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Kaka 

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English If they can’t do it through the comics, they will do it with visually impressive animal almost-animated adventures? No way. That's where the cool vibe of the book is. There's a lot of frolicking, and if it weren't for all the technical niceties and the incredibly elaborate digital animation of the animals, it would hardly be mediocre, because the few witty comments can't save the hugely short, desperately underwrought story and uneven pacing. Avatar remains unsurpassed in technical opulence and the effort here was felt all the way across the screen! ()

D.Moore 

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English It's relaxing entertainment with a fantastic production design and unfortunately a few reservations, some of which are the fault of the Czech version (the songs have almost no energy) and some of which are the fault of the original (again the song, this time King Louie's, which doesn't really fit the scene, the underused snake Ka and the ending, which is surprisingly more fairytale-like than in the original cartoon). Otherwise, I liked The Jungle Book and I'm glad that Jon Favreau got the money for it after the general dissatisfaction with Cowboys & Aliens and that he did a good job. John Debney's music was also successful, relying mainly on well-known motifs, but he also has a few ideas of his own, and the best character is, of course, Baloo with Bill Murray's facial expressions. ()

Marigold 

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English Nostalgic escapism to the max. Two thirds pure pleasure from the creation of the world and a return to the values that defined me as a child, the last third a bit inevitable recognition that Favreau is not a magician, and if his cards are shuffled well, he simply plays a dignified game. Technically, it is without debate amazing, whilst the construction and gradation are slightly uncertain. But a few moments are not worthy of true emotion. ()

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