Greatful Dead

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Nami (Kumi Takiuchi) is a young woman with numerous hangups sprouting from a dysfunctional childhood. She inherits a small fortune that allows her to pursue various interests, many of which are highly abnormal. For example, Nami loves to spy on people who, not unlike herself, have gone crazy from loneliness. She calls these people "solitarians.” Perhaps due to a father fixation, her favourite spying targets are old men with stiff boners. One fateful day, Nami spies on an elderly gentleman (Takashi Sasano) watching porn DVDs at home. She soon transitions from a peeping tom into a full-fledged stalker. (Third Window Films)

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Reviews (2)

JFL 

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English Eiji Uchida is currently celebrated as one of the promising talents of contemporary Japanese cinema, which is essentially true, though it’s impossible to escape the impression that he is merely a weak and so far underdeveloped imitation of the leading figures of the past two decades. Greatful Dead stands somewhere among outsider comedies like Funuke and the films of Yosuke Fujita, a focused treatise on the problems of contemporary youth like Ima, Boku Wa, the over-the-top satire of these problems in the mould of the legendary Visitor Q and the films of Shion Son, and the intimate genre experiments ala the Duel Project of 2003. As is apparent from the references to the above-mentioned phenomena, Uchida is attempting to build on the last golden era of Japanese cinema and its trends, which resonated in the West, but at the same time, he avoids the superficial exploitation of fans’ notions about Japan with respect to the trend of excessive projects of recent years, such as Tokyo Gore Police. Greatful Dead thus aims to address the rootlessness and emptiness of Japanese youth and the phenomenon of madness brought on by loneliness. From these motifs, he creates an absurd satire, which, through drawn-out peripeties, leads to a bloody climax and an oversimplified point. Though it cannot be denied that the film offers a number of excellent ideas and supporting motifs and imaginative hyperboles, Uchida will have to sharpen his storytelling skills and style before he is able to match such talents as Miike and Sono. One would hope that maybe someday he will take viewers’ breath away like his peer Daihachi Yoshida, but on the other hand, after so many years and entries in his filmography, it’s past time for that. 7/10 ()

EvilPhoEniX 

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English I didn't like it. When the Japanese make exploitation, it's like having marinated fish served with sugar. Technically the film is okay, but it takes an hour to get going, so it's quite yawn-inducing. The last half hour gets a bit more intense and there is some violence, but the whole thing feels so unbelievable. The gore doesn't look too bad, but the actors absolutely ruin it. I've never seen such a bored person who wants to kill another, just the facial expression makes it clear that the actor was violently forced to pull the hammer. It looks forced in places and it's not far from a parody. Over-hyped, festival bollocks. 40%. ()

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