American Hustle

We weren’t wrong about David O. Russel the first time. American Hustle wants to be a refreshing, engaging and vibrant gangster movie and manages it quite well. At times, it tries too hard, especially with the at times surprisingly and intentionally weird behaviour of some of the characters, but it never gets to the point of bothering me. The performances are superb without exception. It’s delivered as a comedy and I take it as such. This time Russel doesn’t try to unsuccessfully portray romantic relationships or social conflicts, which I take it as a plus. For me, good fun and satisfaction. (05/01/2014)

The nominations are understandable, but I wouldn't feel like watching it again, and if I did, it would only be because of a few scenes that are worth it mainly thanks to the fantastic performances, the great aesthetics, the costumes, and the uplifting music hits from the 1970s. But it is finely tuned and woe to the viewer who pays attention to the sophisticated character motivations and the great psychology will be satisfied, though not amazed. It's too slow and uneven with countless dull and unnecessary moments, where all that's left is to indulge in the superb visuals, which is not quite okay in a dialogue-driven film. (26/06/2014)

Funny, I never noticed that Amy Adams and Jennifer Lawrence have such amazingly sexy breasts. And I had no idea that it was their image that must have been the most intrusive to the academics when putting together the Oscar nominations. How else can you explain that this is supposed to be the best film in a year that also gave us the privilege of seeing such cinematic gems as Gravity, Captain Phillips and Prisoners? Perhaps it's stylish in its attempt to mix pop culture dialogue and arthouse retro gangster, perhaps it's superbly acted by a group of stars who parody themselves so nicely with incredible verve (except for Cooper – he plays his standard), and maybe I don't even regret waiting patiently for the expected hectic conclusion, but neither of the aforementioned pluses (not even the boobs) can elevate American Hustle to the level of a film worthy of such Oscar attention. And paradoxically, everything here is visibly focused on material awards – it’s not for nothing that they say that less is sometimes more. 65% (28/02/2014)

Omniscient narrators, stylish slow moments, and a dancing Bradley Cooper as the director's good luck charm. The master David O. Russell has not only mastered the art of pushing actors to unforgettable performances, but has also been conquering the forms of more and more genres. In this cunning mess, he succeeds even better the more superficial and confusing the whole American Hustle seems to other viewers. A tour de force from Amy Adams is just the sweetest cherry on top. (30/01/2014)

I feel cheated. The film lured me in by assembling some of my favorite actors. I watched more than two hours of a boring attempt at Ocean's Eleven from the 70s. The intention of the filmmakers fell completely flat, I was bored. Plus, it was obvious from the start how the whole spectacle would turn out. I’m giving two stars for Christian Bale's comb-over and Bradley Cooper's hair curlers. (01/01/2017)