Brooklyn

For a moment you have the feeling that it will resemble the best of Minghella in its innocence and precise direction, sometimes the main trio's Atonement winks at us with its atmosphere and fatefulness, and in the end you will recognize only a modern, subtly made, sometimes emotional romance for not completely stupid viewers who want something more, but mainly nothing inventive, beyond their perception. A punishingly mediocre film, with an excellent performance by Saoirse Ronan, who is wasted here for such a normal story with such a lacklustre denouement. (21/05/2016)

Brooklyn is a nicely filmed, delicate Harlequin romance with thin content, or rather with content that is perceived and resolves life events in a stereotypical feminine way – simplistically and through tears. Nevertheless, the Oscar nomination for Best Picture is understandable, as the movie does its best to suck up to Hollywood and its standards. (28/02/2016)

A neat red-green bookcase with a pastel trim. If it has more layers than Šorš's sensitive hesitation over whether it leans more toward the stunted Italian bidet repairman, or to the snarled Irish Nazi from Star Wars, I've probably overlooked them, but it's because its overdosed by color, soft light, and Irish music. I'm not even mad at the movie, it's just a compilation of everything that kills me in similar dramas. The ending is a really clean slogan from the encyclopedia of clichés for beginning and ending screenwriters. (10/03/2016)

I can't help it, but this movie just couldn't fully captivate me. The story didn't entertain me, even though I see a certain depth in it that comes with its point. As a romance, it's pleasantly calm; there are no intense scenes, which I like. It's well made in how the world tries to influence one life. And he won't let it happen. But I'm not thrilled with the film. (24/01/2016)

A film just like its main protagonist: a gray mouse carving a path between more attractive and prominent ones. And thanks to the fact that the role of Eilis is custom tailored for Saoirse Ronan, I feel her desire to make her own decisions at life's crossroads very closely. However, if the last act had taken a slightly more mature direction, I would have believed all of Brooklyn. The questions around relationships and bridges that can't be burned, either towards each other or away from each other, were painful for all of us. To wrap them up with a rich harlequin romance was, therefore, a cheap shot. (31/01/2016)