City of Violence

Definitely never going on holiday to South Africa. A somber, brutal thriller. Excellent acting, great direction. A classic investigation into the death of a white girl turns into a bloodbath combining drug dealing with an ethnic purge. A lot of unpleasant things happen (severing limbs, castration by dog), but the most horrifying is just how calmly the characters accept it all. P.S: From now on Bloom should take only this type of role. (30/10/2019)

It is a movie that has good moments, which I liked about it. The investigation didn't really grab me that much, but there are still scenes that can draw you in, and especially the performances that will keep you engaged. I didn't believe that Orlando Bloom would be able to do it, but this badass cop really worked for me in his portrayal. (06/06/2014)

A very good crime drama in a classic style. It is often compared to the currently fashionable Nordic book/film production, but I think it is much closer to the good old French stuff. After all, it was the French who wrote and filmed Zulu, so no wonder. The slowly unfolding screenplay cares about the characters, it also doesn't spare any suspense or surprises, the acting is also flawless, because Forest Whitaker can't even be bad, and in the closing credits I was very pleasantly surprised to see that the good Orlando Bloom-like actor is Orlando Bloom. Thanks to the gripping desert finale (in which it's really not a problem to imagine Lin Ventura in Forest Whitaker's place), I'm thinking about a fifth star. (26/06/2015)

Despite all the sun, this is a heavy crime movie on the edge of noire and the modern Scandinavian school which capitalizes (and slightly trips up) on holding up a mirror to the consequences and scourges of apartheid. It “capitalizes" in the sense that thanks to this, this isn’t just another bleak movie “about some horrors". It “trips up" in the sense that in the last third, the creators try too hard to make it “overlap" much more than the classic limits of the genre can take. It wouldn’t be a problem in City of God, Elite Squad or Metro Manila, however they aren’t primarily dark crime movies clinging tightly to all of the (un)written rules of the genre. P.S.: Who would have guessed that the role of the vagabond macho wreck of a cop would fit Bloom so snugly? (28/04/2014)

The subject and the script actually only recycle formulas that have been used many times and are not surprising, moreover, the outcome is predictable and during the final scene when settling the score with the villains, the viewer will recall that Whitaker remembered Orlando Bloom's performance in The Hobbit and, just like Legolas, he mercilessly mows down orcs, his detective instills a sense of satisfaction in combating evil. By the way, I have a problem with the character played by Orlando Bloom. His undisciplined cop, drunkard, and womanizer is not exactly likable, which wouldn't be a problem if the screenwriter and director weren't aiming for the exact opposite and trying to shape him as a likable rogue. Zulu differs from typical American genre productions in its setting in the exotic environment of South Africa and, above all, in its raw depiction of brutal violence. Unfortunately, I have to admit that even the presence of my favorite Forest Whitaker doesn't bring it up to more than 3 stars and a 60% overall impression. I cannot consider Zulu a realistic drama, as it drowns too much in genre clichés. (04/12/2016)