The Intouchables
Cinematography:
Mathieu VadepiedComposer:
Ludovico EinaudiCast:
François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot, Joséphine de Meaux, Clotilde Mollet, Alba Gaïa Kraghede Bellugi, Cyril Mendy, Salimata Kamate (more)Plots(1)
An irreverent, uplifting comedy about friendship, trust and human possibility, The Intouchables has broken box office records in its native France and across Europe. Based on a true story of friendship between an eccentric handicap millionaire (Francois Cluzet) and his street smart ex-con caretaker (Omar Sy), The Intouchables depicts an unlikely camaraderie rooted in honesty and humour between two individuals who, on the surface, would seem to have nothing in common. From paragliding through the Alps to high speed thrill rides in a super-charged Aston Martin, they form an unexpected friendship... and embark on an inspiring adventure that will change their lives forever. (Roadshow Entertainment)
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Reviews (14)
There’s no doubt this is a beautiful story that can make you fly, but perhaps (though the comparison is very exaggerated) compared to the similarly will-inducing Shawshank, it gets old fast and the initial enthusiasm wears thin. I still enjoy watching it more than most American comedies of the last few years, but I'd look elsewhere for undying cult-status.
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The best French film I've ever seen (though admittedly I haven't seen many of them). Comedy and drama in one, each component properly balanced. At the end of the film I was completely satisfied, happy, and moved. I saw the film without knowing what I was getting into, without looking at the ratings on FilmBooster, so I was very surprised to find it so well rated. A nice non-exploitative human drama with all the aspects of humanity that only these two can have. P.S.: I almost peed myself laughing at the beard shaving.
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A pleasant dramatic comedy with likeable protagonists that here and there delivers some dark and incorrect jokes, but that in the end is nothing but your typical feel-good fairytale with a humanistic message, or a film that is in no way exceptional. And that’s why it has received so much attention, because its exceptionality cannot piss anyone off. It's just so generally likeable. 7/10
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A comedy built on contrasts of the characters’ respective natures and the setting and which more or less just mulls over the idea of also being a social drama. The film outright plays it safe. The plot is regularly livened up with minor conflicts and the montage sequences prevent it from becoming too slow and boring so as not to repel viewers. The comedic lightening-up of the situation only occasionally gets out of control (the dance scene resembling a music video) and disrupts the pleasant cruising on the surface of harmless images. It’s still unrivalled as a cure for crises of all types. 75%
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I have no hesitation in giving this all five stars, even if it is a purpose-made product, full of cliché and the right type of humanity. It flows past pleasantly, always something happening, and even above average in terms of acting. The customary French tempo has left the handbrake on, so in fact it rolls on just right for us to be able to appreciate the millionaire’s attributes... The Maserati, the great bath tub. I agree that sooner than later we’ll see an American remake.
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