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Witness the mind-bending chronicle of great power gone awry. When three ordinary high school friends make an extraordinary discovery, they acquire amazing abilities beyond their understanding. They can move objects with their minds, crush cars at will, and even fly. But as their strengths grow, so do their darker sides. When harmless pranks give way to more dangerous escapades, their lives spin recklessly out of control, leading to an explosive, high flying climax that will leave you breathless! (20th Century Fox AU)

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Reviews (7)

POMO 

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English Perhaps no other film set in the “real world” enjoys the denial of the world’s physical laws more than this one. Chronicle is a likable, tasteful and quite cool joyride. But it doesn’t have the same WOW! factor as Cloverfield – the screenwriter let his imagination go too wild to be taken seriously and achieve any tension. The effects are very good, however, and the film has some kind of an idea. Teen audiences should be satisfied. ()

DaViD´82 

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English Watch a few randomly selected meaningless home videos about bored teens on YouTube loafing about, every now and then add in some random special effects, and you'll immediately have a sequel to The Chronicle that is indistinguishable from the “original"; if you're interested in the Thai remake, watch a few randomly selected meaningless home videos about bored teens in loafing about Thailand on YouTube... And you know the rest. ()

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D.Moore 

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English A sympathetic film that is not as small as it might seem. Everything is based on an idea as if taken from the Czech The Flying Cestmír, but the fireworks of ideas that the creators have presented are really great. For example, "just" the idea of letting the main character endowed with telekinesis film with his handheld camera and fly around with it so that the shaky home video shots suddenly become almost professional camera rides. I also wanted to scream during the scene with the flying in the clouds, I closed my eyes during the scene with the spider... It was definitely impressive. The director and screenwriter seem to be Star Wars fans in addition to comic book fans, which was especially evident in the incredibly imaginatively shot or rather "recorded" finale (but the similarity only came to me in retrospect, I didn't have time to make any comparisons while watching it). ()

novoten 

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English Even when I was enjoying the universally loathed reboot of Fantastic Four, I knew that this director would be worth closer examination, and Chronicle confirms that many times over. But it's not just Josh Trank's merit. The script by Max Landis combines idealism and at the same time an upstart inflexibility, which are never closer to a person's heart as when they are in their late teens. Moreover, when all the usual clichés of a hero's origin are turned upside down and Dane DeHaan confirms that his style is is truly irreplaceable on the current scene, all that's left to be added is just the spice of Trank's predatory direction. The last twenty minutes constantly made me marvel at how these scenes were accomplished so effortlessly, while at the same time I could hardly restrain the wildly accelerated pounding of my heart. ()

3DD!3 

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English A novel approach to a superheroes movie. Trank’s experiment with found footage, this time not from one but from several cameras, worked out just great. The rotating shots are effective, especially thanks to Andy’s well-practiced telekinesis. The evolution of the three main protagonists is like out of a textbook (and a good job of acting). Basically, none of the characters behaves black and white and they have logical reasons for their actions. Setting the movie in Seattle gives a welcome touch of reality. For just a few bucks extra we are treated to more tasty visual morsels than any regular fan would expect. ()

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