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Jupiter Jones was born under a night sky, with signs predicting that she was destined for great things. Now grown, Jupiter dreams of the stars but wakes up to the cold reality of a job cleaning toilets and an endless run of bad breaks. Only when Caine, a genetically engineered ex-military hunter, arrives on Earth to track her down does Jupiter begin to glimpse the fate that has been waiting for her all along - her genetic signature marks her as next in line for an extraordinary inheritance that could alter the balance of the cosmos. (official distributor synopsis)

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Reviews (12)

kaylin 

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English This is bad, bad. The story is so stupid and without ideas... Lana and Andy just played that it will all look great, which it does, but it didn't impress me. Their "Matrix" was full of thoughts, sometimes so much that one got lost in it and it didn't work the best, but in this case it's just too empty and without any good idea. Yes, there is mythology created here, but what is happening here is simply too much of nothing. And Mila Kunis has a really annoying character here. ()

lamps 

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English A film where, due to a completely dysfunctional narrative continuity, we often don't even know what awaits us in the next minute (which could be a big plus), but due to a catastrophically overstuffed and unbalanced script, bland characters and a chaotic depiction of everything from the setting to the motivations, we end up not caring about it. It’s hard to imagine a greater travesty that Hollywood, as a purveyor of expensive non-art entertainment with infinite expressive possibilities, from the visual to the aural, has ever produced or will. 20% ()

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D.Moore 

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English I didn't expect much, but I got more than enough. Fabulous sci-fi trash in the best sense of the word (in short, a full-fledged successor to 1980's Flash Gordon), set in an absolutely amazing world and almost constantly entertaining. Hand on heart, it's not much different from the much-vaunted Marvel movies. True, there could have been a little more perspective (crop circles and space bureaucrats with Terry Gilliam amused me immensely), but then Jupiter Ascending could also have turned into an awkward comedy, which the Wachowskis (after Speed Racer, thank God) clearly didn't intend. The action scenes are superbly engaging, the special effects are lavish, everything is nicely clear and understandable, but perhaps the most pleasing thing for me was Michael Giacchino's bombastic music and its judicious use, which makes it not really stick out from the film , but it is not simply neglected either. Four pure stars and I'll probably go to the cinema again (I'll put on Flash Gordon before that happens). ()

J*A*S*M 

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English For me, probably the guilty pleasure of the year. The film is aesthetically unattractive, with a leading villain that takes it all the way to 11 and a very incompetent casting. When Mila Kunis tries to look serious, it simply doesn’t work… but when she tries to drop one-liners, it’s almost painful. Only the core premise of planets as people factory-farms or fuel to keep the vitality of the galactic rulers had some potential, but this time the Wachowskis were unable to exploit it. On the other hand, I must confess that, in its own way, this crap was actually fun. ()

Necrotongue Boo!

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English The film was visually impressive, but that's about where the positives end. The terrible script created a storyline devoid of logic, defying the laws of physics, resulting in a chaotic compilation of moving pictures. Casting Channing Tatum and Mila Kunis in the lead roles didn't help much either. It seems like the target audience might have been children under ten, who are used to gaming violence and might appreciate a story involving flying shoes. Despite the overwhelming CGI action, I'd describe the film as a boring mess. / Lesson learned: Want to be an enthusiastic toilet cleaner? Become the owner of Earth. ()

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