The Expendables 2

It's not less that a good old classic. A group of retirees travel to digitally modified Bulgaria, alternating game maps that reflect the nostalgic-archetypal touch of the genre, and here and there we have deus ex machina, greeted by a volley of insider jokes. The banality of the plot as well as the parody touch of space and characters add post-modern qualities to it, while Simon West also adds clear personal qualities and a solid tempo. Fortunately, Stallone already understood that some seriousness or "realistic" motivation had no place here - nostalgics wanted their messages and more winks. Blunt warrior macho sentiment still abounds, but this time it's filler between great comedic performances and cutting action with much better timing than in the first film. Although it is again "only" an action encyclopedia, this time it is richly illustrated and has even more bloated references to the mythology of the wheezy grandfathers. I had a great time. (27/08/2012)

“My shoe is bigger than this car!” Arnold Schwarzenegger is the Ed Wood of Hollywood actors. Hardly any film this year will bring me more delight and a bigger testosterone rush than The Expendables 2, an inane B-movie with cheap digital effects and great catchphrases and genre references. And the fact that the best actor playing the movie’s best character is Jean-Claude Van Damme will go down in history. (04/11/2012)

Finally someone understands that nostalgia for action movie style from the eighties with their wall-poster heroes can today function only as tongue in cheek. And precisely because it doesn’t take itself seriously at all, unlike part one, gives this some real oomph. On top of that, the action is easy to follow, not that modern, epileptic style of editing, like in part one. So this time I would definitely consider buying an old, second hand VHS of this with its consecutive monotonous Czech dubbing. (24/12/2012)

I have mixed feelings. On one hand, things that I always wanted to see, on the other exaggerated prancing about for female fans and zero story. Arnold’s lines are way off. Norris tells jokes about himself and the whole thing is very forced, and not in a good way. The greatest positive element here is Van Damme who enjoys being evil. Anytime he walks into shot, it’s worth it. In the finale, Sly makes the most of how pissed he was that he didn’t land a role in part one. :-) West’s directing is visually high standard, but in places the action is confusing and very little of it is interesting. Jet Li is gone in an instant, luckily we see more of Dolph. I’m giving this four stars, but purely out of blind fandom. Otherwise, someone deserves a slap for the credits. (13/09/2012)

Much more polished than the rather dull first instalment, mainly because the script relies more on lightness and instead of conforming to standard action tropes, it turns them into a big joke. Although most of the credit goes to the protagonists themselves, who embody their career alter egos with admirable verve and insight (Norris's crazy cameo reigns supreme), and the story is downright slapdash when it comes to some dialogue and personal levels, the action is so good and well-paced and the villains, led by the cold-blooded JCVD, are so hilarious that you simply won't be bored. This time, satisfaction. (05/08/2018)