The Man from U.N.C.L.E.

A breezy and relaxing retro film with a very likeable cast (Armie Hammer, Henry Cavill, Elizabeth Debicki and Alicia Vikander), which, despite being labeled a comedy, has the kind of humour that makes you laugh internally. The interactions, and banter between the three main characters worked to a tee, as did the action scenes, of which there were plenty. A decently made genre mash-up with some good plot twists that manages to keep you both in suspense and mildly entertained. (02/08/2016)

(over) An over-the-top stylized, undemanding spy retro one-time movie, which is not purely comedic, but it make you smile throughout the footage. Unsurprisingly, it is entirely dependent (even thanks to the unnecessary bad guys) on the squabble of the central trio, which usually works. Most of the time. And if not, "sixties" Ritchie, "Morricone-like" Pemberton or Uncle Rudi with his fairy tale carry it. (12/08/2015)

A movie that is pleasant to watch, but you don’t care what’s going on in it. Attractive and stylishly dressed actors who have nothing to do and a likeable retro audiovisual aspect. There’s always something going on, but the runtime feels longer than it actually is. The catchphrases and building of the dynamics of most scenes need more work on the screenwriters’ part. The comic book-like beginning of the final action scene is fantastically bolstered by the music used. A strong three stars. (11/08/2015)

A stylish retro spy spectacle that thankfully doesn't parody the genre. But it takes it in stride and it's good at it. The central trio is very likable (Armie Hammer fits the role of the Soviet fighter perfectly and the cute Alicia Vikander is not just cute and certainly not just some cheap ornament) and her constant jibing is pleasant... And Hugh Grant proves once again that aging doesn't rob a person of a shred of charm, id you don’t let it. Guy Ritchie's direction has swing and lots of ideas, offers a number of rewarding scenes full of humor (including the black one, see the chair) and suspense, and I must especially highlight the amazing soundtrack. The instrumental one by Daniel Pemberton, which therefore pays tribute to John Barry rather than Ennio Morriccone, and the well chosen songs. I'm very satisfied. (12/08/2015)

It was basically like a Bond film whose creators shamefully wasted the opportunity for witty dialogue. If they hadn’t, agent Solo wouldn’t have gotten on my nerves so much and agent Kurjakin might not have seemed like a Terminator with poor software. It could have been a great film if only Guy Ritchie hadn’t forgotten to put more zing into it. 4*- (23/07/2019)