Tinker Tailor Soldier Spy

The objective is clear. The British secret service must find and remove a mole who has obviously been giving information to the Soviets. In an ordinary spy thriller, the collection of information and the revelation of new connections would lead to the uncovering of the traitor’s identity. Alfredson’s film essentially adheres to this formula, but the director is more interested in the structure than in superficial genre attractions. Though he doesn’t conceal the answers to pressing questions, he also takes enough time with them that we can recognise that the tension ensuing from the classification and declassification of information will be of secondary importance this time. The current story consists in the reconstruction of what has already happened and because most of what’s important happened in the past, the present sadistically provides no room for action. Because of the identical colour palette and small time scale (the characters don’t age significantly), the scenes “back then” are barely distinguishable from the scenes “now”. The blending of those scenes may be confusing at first, but the essence of espionage consists in the disorienting manipulation of facts, which on a personal level is manifested in the protagonists’ doubts about who they can actually trust. Black-and-white differentiation of villains and heroes doesn’t apply in this monotonously brownish world – with several wonderful WTF?! moments. Everyone pursues their own goals, including Smiley, who rather cynically thanks us for the trust placed in him, when (SPOILER) after the final purge, he accepts a position that will allow him the greatest control over information – nothing will change in the organisation’s non-transparent operation in the long term (END SPOILER). Smiley is indisputably the film’s main protagonist, through whom information is filtered, but the film keeps a similar observational distance from him as it does from the other characters. Many shots are filmed through glass (which is used as a tribute to the classic Rear Window), the characters impudently turn their backs to us, no effort is made to be appealing. The film is not ingratiating, which forces us to watch it more attentively. What’s essential takes place in the background, the mise-en-scéne (including the actors’ faces) reveals more than the dialogue, whose main contribution consists in subtly updating a book written during the Cold War. Some of the allusions to the unequal relationship between the United States and Britain are very contemporary and it would have been appropriate to give more space to them than to the demonisation of the Soviet Union, which here plays the role of a useful bogeyman. Tinker Tailor Soldier Spy does not fulfil the requirements of a viewer-friendly film, but viewers who are willing to read between the lines will enjoy it all the more for that. 85% (02/02/2012)

Fantastic direction, production design, and a 70s vibe reminiscent of films like The French Connection and other similar classics. Unfortunately, the plot is quite viewer unfriendly with lots of names, dozens of flashbacks, plenty and of twists and evasive maneuvers. On top of that, there are static shots, glances, a British touch, and I had a hard time finishing this film. Someone might argue that it is for connoisseurs. Maybe, but I was damn bored, and that's not good no matter what the film is like. And I sincerely hope that I'm not inexperienced and unaware enough as a film viewer to not understand all of this. (09/04/2012)

The direction is precise, with attention to details, even the unimportant ones when Alfredson is just playing around (a wasp in a car, a killed owl in a classroom), but otherwise the narrative is too distant and not very immersive. Gary Oldman displays an excruciating ease with silent glances and considered speeches, and is the brightest point of the entire film. Of course, there have been better spy plots. (28/01/2012)

Those who have Gary Oldman fixed as a demonic expressive representative of the most abhorrent villains will probably be surprised by the gray inconspicuous clerk, who shows no traces of charisma, yet enlightens us about the complex espionage game, which seems to me like a very realistic portrayal of the real world of intelligence games. I say about a certain category of films that they are excellent, but only for some people. That's exactly the case with this drama. It is a precise film with a well-thought-out story and sophisticated details, which, however, with its pace and deliberate avoidance of proven genre clichés and attractiveness for the viewer, rather discourages the average film consumer. I would say that it has the potential to become a classic of its genre, whose name will be pronounced with respect by film connoisseurs and genre specialists, but it certainly won't become a box office hit in the true sense of the word. Gary Oldman's performance impressed me, as well as the screenplay, which includes several real elements from the famous scandal surrounding the legendary spy and double agent Kim Philby, who, as a high-ranking officer of the British secret service, even aspired to the position of its chief while being controlled as a mole from Moscow for many years. The technical aspects of the film and the direction are precise, and those who are not deterred by the slow pace and lack of action will be rewarded with a great cinematic experience. Overall impression: 95%. (07/02/2012)

I like films that keep me on my toes from start to finish, that don't explain everything and make me figure a lot of things out on my own (or at least think I did for a while), films that just ooze coldness, and films that talk a lot but don't push. And that's exactly what Tinker Tailor Soldier Spy is. What’s that you say? That it’s boring? That's the last word that comes to my mind right now. I have a soft spot for spy stories, especially spy stories that have to do with Britain's MI6 and the Cold War, so I'm glad we finally got this gem. Stylishly old-fashioned direction, a hauntingly simple score, a top-notch cast and a script that handles Le Carré's premise admirably (though it's still quite a rewrite in places). The film can boldly take its place alongside the best such as Funeral in Berlin, The Spy Who Came In from the Cold, The Quiller Memorandum... And others. (20/09/2012)