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After a zombie outbreak in Las Vegas, a group of mercenaries takes the ultimate gamble by venturing into the quarantine zone for the greatest heist ever. (Netflix)

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Reviews (12)

Marigold 

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English Someday when the dictionary entry for "biggest film blunder" is written, there will be a photo of Zack Snyder. All the pompous slow-motion, the emotional ping-pong of hollow figures and the over-the-top brutality reveal the naked truth. The guy's a pure directorial dickhead. And although he can refocus like he has ADHD, he really can't hide the stupidity. ()

DaViD´82 

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English An unreasonably overblown runtime and a quantum of Snyder’s love it or hate it style in a solid (read through and through bland) unacknowledged adaptation of “Dead Rising 2”. It actually works quite well as a tired C-rated video game adaptation, but not so well as a zombie heist B-movie that plays with the rules of the genre. It undeniably has its strong moments and scenes (marred by shaky camerawork), but there are fewer than one would expect from the self-proclaimed king of "tinsel cool" on a project where he had a free hand. ()

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Lima 

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English I don't understand what happened to Zack Snyder, a guy who has the brilliant Watchmen and the very good Man of Steel in his filmography and never really burned out creatively until now, to make shit like this. Pathetic, fucking boring and visually repulsive (no, the juicy opening credits and those few Las Vegas green screens don't cut it). It has only one decent action scene – the casino shootout – which doesn't come until half an hour before the end, and one single noteworthy idea, which is the zombie tiger. And leading the uninteresting ensemble of actors is Dave Bautista, whose acting limits end somewhere near Hamáček's abilities when he talks about his disguise maneuver. ()

3DD!3 

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English You should listen to Daddy! A perverse action B-movie that is pleasant to watch, despite its length. As most Netflix productions, it stays somewhere half-way between cinema and TV. Snyder blew logic to smithereens (nuked it) and in the end they no longer even try to explain anything. Maybe he just skimped the job. He simply presents what he finds cool and you just have to take it or leave it. The zombie tiger, walking through the traps, the totally over-the-top ending in the helicopter. The disco. ()

POMO 

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English Army of the Dead is colossal trash with annoying characters and tasteless blurring of the image behind them. However, it holds the viewer’s attention because there are enough pleasing things in the movie for fans of the genre. The awkward viewing experience is also salvaged to some extent by Bautista, who is not only a mountain of a man but also has a powerhouse personality, and a zombie tiger that could devouor Ang Lee’s schmaltz in a single gulp! ()

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