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This family saga follows the Bondurants, bootlegging brothers, runnin’ stills, runnin’ loads, and runnin’ from the law in Depression-era Virginia. The story follows the experience of the youngest Bondurant, Jack (Shia LaBeouf), and his family’s moonshine enterprise supplies the action in a plot that evokes the culture of distilling and distributing white lightning. To optimistic Jack, bootlegging is both a bond to his older brothers, Forrest and Howard and a means to make cash to impress a girl. Forrest, by contrast, is taciturn and suspicious: the world is violent and he meets it on that ground. Tender of the stills and imbiber from the same, burly Howard is always ready to take on the Bondurants’ enemies, corrupt law officers. (Roadshow Entertainment)

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Isherwood 

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English A slice of family history that only works in its two hours of runtime when it scores points with good actors and brutal violence, but also forgets the characters. Hardy just grunts and LaBeouf builds an empire out of nothing; it’s got the same feelings as Proposition, copying from everywhere, but with a beautiful signature. ()

NinadeL 

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English Do you love Prohibition? Okay, then. Are you ready for some real bloody carnage? Okay, then. Are you interested in something more than just a bloody slaughter? Then you're in the wrong place. Of course, for those interested in a more comprehensive look at Prohibition, I recommend the series Boardwalk Empire. ()

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Kaka 

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English It is excellently mixed both in terms of characters and style, as well as audiovisual composition. It is clear from the very beginning that it will not be a technically inventive and sophisticated film, but rather a slightly intimate and twisted ride that, in some aspects, reminds of Tarantino in the violence, the antagonist and the dialogues. However, it is a classic, linearly told gangster story about friendship and love during the Prohibition era. Some things may not work as they should or are a bit of a safe bet (the musical score, shootouts where we wouldn't expect them, the final carnage). But that the screenplay is unpredictable, you don’t know what will happen in 10 minutes, and this tells me that this thing certainly deserves high ratings and recognition. It is difficult within the genre to create something original based solely on internal, non-technical attributes of a film. At least partially, they have succeeded here. ()

3DD!3 

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English At last, today marks the end of the ridiculous prohibition in this country. And so in my opinion there’s no better movie than this to close this glorious chapter in our history. The moonshine in the Bodurant brothers’ jelly jars were capable of turning you blind even back then. Hardy is again almost legendarily awesome ("Hmm..."), Shia is continuing in his career as far as possible from beg robots and I dare say this is the best possible direction, Guy Pearce is a disgustingly slippery swine, Oldman devilishly stylish and Jessica Chastain. Hillcoat superbly layers up the story and period atmosphere, adding just the right amount of rawness. Brass knuckles are now officially the weapon of the year. Cave delivered a superb screenplay and excellent music... simply a movie to warm the heart. ()

POMO 

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English This is what I was expecting from Michael Mann’s Public Enemies and I was disappointed. John Hillcoat and Nick Cave and a bunch of littleknown actors created a gangster film from the era of prohibition, where the goal is to portray the characters and their stories, rather than visual epicness (on the contrary, the visuals are rather dull and faded, for some incomprehensible reasons). A super bad villain, blood and brutality, friendship, brotherhood, black humor, feminine beauty and tenderness, and a final massacre. All of this blended together to create 100%-pure genre entertainment of a distinctive character. I vacillated between four and five stars, finally settling on five thanks to the festival atmosphere. [KVIFF] ()

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