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Rome burns. Nero fiddles. Christianity rises. And moviegoers turned out in throngs for this years-in-the-making film colossus boasting eight Oscar nomination (including Best Picture). Robert Taylor plays the Legion commander whose love for a Christian slave girl (Deborah Kerr) crosses the divide between Empire and a sect with higher loyalty. Presiding over all is Nero (Peter Ustinov). He is Caesar, madman, murderer an imperial ruler of the spectacular and spectacularly doomed, glory that was Rome. (Roadshow Entertainment)

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English A worthy adaptation of an excellent book, whose motivational and psychological scope the creators manage to portray with only few major changes. Though the film is far from perfect in this sense, and logically pushes the line of the Emperor’s persecution of the Christians, which leads to the climax in the arena, the romantic line and the rebirth of Vinitius’s personality, which were key in the novel, feel unconvincing. The ending lacks the desired emotional depth, but on the other hand, it successfully concludes the magnificent reconstruction of the Roman period that everyone associates with the cruel, matricidal and arsonist Nero. One of the most visually epic films of its era, though it suffers from simplification and the occasional kitsch. 75% ()