True Grit

The Coen brothers are known for their maximum precision, with which they approach every tested genre and film being prepared. In True Grit, this can be seen in every aspect, whether it is the casting, prop selection, the well-crafted screenplay, and above all, traditionally high-quality directing. This film is a return to the traditional western, which experienced its golden age about 60 years ago and has been rather languishing in recent decades. Precisely because it is a return to the roots of the respective genre, there are no major surprises and it is not a modern genre variation like Dead Man or Dances with Wolves. This is a classic battle of good and evil, tough men and wilderness, where law and justice are far from what we imagine in today's courtrooms. However, it is rawer, less romantic, and somewhat more sober than the famous films of the golden era. Furthermore, the presence of a stubborn girl who stubbornly seeks to avenge her father's death and bosses around the gunmen brings important lightness to the film. It is unnecessary to highlight other film elements, such as the camera or music because in the case of the Coen brothers they always work perfectly. Overall impression: 80%. If I were a fan of the genre, I would not hesitate to give it 5 stars. (06/06/2011)

One great piece of Western poetry smelling of gunpowder, beans and tears. The film, which is perhaps most reminiscent of No Country for Old Men in Coens' pedigree, but with its humility towards genre conventions and absolutely brilliant work with the central triangle, creates a very pleasant and warm place of nostalgia and melancholy for the old dusty times of heroism. (15/02/2011)

Even though western is far from my favourite genre, I was looking forward to True Grit, if only because it would be my first opportunity to see a story from the Wild West on the big screen. The execution is above-par, but that shouldn’t be a surprise, the Cohens know how to make movies. Unlike most viewers, though, I had a serious problem with the actors, everyone except Jeff Bridges. Damon, Brolin and the praised all the way to heaven Steinfeld felt… robotic. They just didn’t fit into the western setting, I didn’t believe they were people, I only saw characters written on paper. This leads to another complain I have: the epilogue. In the last five minutes the Cohens try to squeeze emotions and they do it in an unexpected way. In the cinema I didn’t get the dramatic intention, but now it’s clear and I appreciate it somehow because it’s fairly untraditional, but that doesn’t alter the fact that it didn’t work on me. True Grit disappointed me in the same way that No Country for Old Men did three years ago. I prefer the Cohens in comedy :) (26/02/2011)

Strong on detail. The Coen bros offer something more than a story about a spirited girl who wants to revenge her father’s death. They are talented in delivering the goods in ways as yet unseen. And Jeff Bridges should have gotten that golden baldy this year for his iconic portrayal of Rooster Cogburn. Otherwise an excellently acted (really great Hailee Steinfeld) adventure drama packed with great lines, which is surprising just where you aren’t expecting. Your fifty dollars gone. Gone the whiskey - seized in evidence. (25/05/2011)

"We don't achieve true perfection, because instead of redefining the genre (see No Country for Old Men), the Coens heavily rely on certainty, but during the final credits, the honest western force truly hits me. The biggest acting merits undoubtedly belong to Bridges, whose casually loose and uncompromisingly tough Rooster dominates, while the occasionally slightly dull Hailee Steinfeld is a surprising disappointment. I had some minor issues with the unbalanced pace of the film for quite a while, but the final half-hour saves everything. Minute by minute, the main antagonist's arrival brings tension and emotion, without a second of shortage, not to mention the flawless finish. In retrospect, it becomes clear that some plot twists were overly evident, but despite that, I can't be upset with the film thanks to its straightforwardness and sincerity. 70%" (28/01/2011)