Total Recall

The original didn't appeal to me in the slightest, so the reconciliatory three stars are a small victory for the new Total Recall. It's pleasing that they got rid of Mars and put more emphasis on the versatile wife, but unnecessary logical flaws and the slightly excessive running time are annoying. Len Wiseman saves a lot of things with the action (led by the premature climax of the movie in the form of a chase in elevators) and the reinvented Kate Beckinsale helps him out the most. And yet the courage of the producers to pour so many dollars into this particular vision defies comprehension. (12/09/2012)

Why?! I'm not saying that this remake of Verhoeven's famous sci-fi movie is completely bad, but it’s completely unnecessary and purely commercial with regards to the twenty-two year old original. What made the old Total Recall special, i.e. the great make-up effects, the atmosphere of an alien planet and the director's sense of the right level of brutality, is reduced here to shootouts and chases in the middle of a future city. And while it works in the first half and the viewer can't even breathe under the flood of action, in the final part everything slowly fizzles out and the repetitive pattern becomes unpleasantly and profusely boring. Farrell tries hard, but, with all due respect, he’s no match for Arnie's stony gaze and swollen biceps, so the only positive additions are the beauties Jessica Biel and especially Kate Beckinsale, who apparently refuses to age and whose lithe body deserves its own star on the Walk of Fame. Wiseman once again proves that he can handle action, but, compared to Verhoeven, he’s a terribly unimaginative and routine director. (27/01/2013)

I was expecting a much bigger disaster. In many aspects, I liked the new Total Recall more than the original. I'm not counting the “inflation difference” of the years, meaning that now, you can get much more sophisticated visual effects than before with high budgets. Overall, the film is surprisingly watchable. In terms of action scenes, Len Wiseman is getting better, more inventive, and more gripping with every film. There are moments in Total Recall where I couldn't even breathe, and that hasn't happened to me in a long time. Kate Beckinsale is excellent as a terminator, Colin Farrell is good, and the production design is fantastic. Some say it’s a rip-off of Minority Report and Blade Runner, but there aren't many other options for depicting the future realistically, or at least somewhat believable. Occasional inspiration, in my opinion, doesn't hurt, and if the audience picked on every little thing like this, soon every movie would be a disaster just because it starts, as I've seen the beginning of a movie many times, etc. With proper sound and good visuals, this film is worth seeing multiple times – even the slightly flawed screenplay encourages it. Just never have a steel tunnel through the Earth's core again, please. (19/08/2012)

Len Wiseman seemingly had all the trump cards in his hands - a well-known and successful book, stars with a wide acting range, a big budget, and new film technology. Despite all of this, he not only failed to surpass Verhoeven's version but didn't even come close to it. And to be honest, I was never even particularly intrigued by the old version; Verhoeven turned an interesting story about hidden identity and complex conspiracy into a pop spectacle that avoids any deeper thoughts. However, it must be admitted that the Dutch director was successful in what he tried to do. Apart from The Terminator, it is the only film where Arnold's acting is somewhat worth mentioning as Verhoeven managed to extract the best from the physical specimen. His trashy aesthetics were interesting, and he consistently came up with catchy scenes and elements and it was never boring. Wiseman attempted to make an action blockbuster but blatantly parasites his predecessor, clinging too much to proven genre formulas, and in a flood of unrealistic action and bombastic spectacle, he fails to surprise or impress. He can't even properly sell his characters. In the end, another typical film came out of his workshop with grand ambitions that it couldn't fulfill. Overall impression: 25%. (21/04/2018)

The visually arresting first half will tickle the heart of any sci-fi fan. And it doesn't matter that the Asian architecture, the perpetual rain and parakeets are a rip-off of Blade Runner, and the chases with hoverboards are a rip-off of Minority Report. But then, as the minutes tick by, the film makes it clear that the script was written by the infamous Kurt Wimmer, a man with no talent and no creative intelligence, so the mounting annoying clichés and situations like those from the most subpar B-movies quickly cool down the initial enthusiasm. Where the old Total Recall clearly wiped its ass with clichéd Hollywood and was engaging in its ambiguous answer to what is truth and what is a dream, Wiseman's film is dull and woefully predictable. It's like Kate Beckinsale's "terminator" character: visually appealing and energetic, but bluntly direct. (18/08/2012)