Fight Club

At the age of eighteen, when I was angry at the system and I liked the Doors (the band) and Pulp Fiction, Fight Club would have been the movie of my life. But today, I don’t think I could be a movie star even if I really wanted to and did everything necessary to achieve that. And I've learned to get by in the system. Which is sufficient reason for me to think of this movie as just very spectacularly filmed bullshit. (23/02/2003)

This is the richest interpretive film I know. Is it a critique of consumerism, a satire on the far-right and anarchist associations at the same time, or just a provocative thriller about the need for violence? Maybe all of it. In any case, it takes a good bit of genius to make it not look, through its shiny facade, like an angry young generation that wants to save the world with rocks in their hands, but rather like a serious ancient philosopher who has it all figured out to the last detail. It was a breakthrough life film for when I was in my 20s, and a decade later it’s (only) a fantastic cinematic ride without compromises, reflecting the end of the 1990s like few other things. (21/11/2008)

David Fincher showcases an incredible game, which is not only about how well the whole story is crafted, but especially about how it is shot. It is expected that the performances are mesmerizing, but the way film techniques are utilized, various camera attacks, the insertion of seemingly nonsensical flashes, the mosaic of dreams and reality. David Fincher is the king of dark psychological thrillers and he proves it with essentially every film he makes. (25/09/2014)

The Fuck the system thing is okay, with a satirical undertone and plenty of references as well. No one can deny David Fincher's technical skill and thematic originality, but the philosophy misses the mark. A person can really be whatever they want, as long as they do what they should. But I understand that the masses are thrilled by it, how could they not, everything that is missing in other movies is here, or the other way around. (01/02/2005)

Cult. Technically without hesitation (as it’s typical with Fincher), staying always one step ahead of the viewer, and always fun, original and solid. Maybe you’ll guess the twist, but even knowing it doesn’t affect the amazement at the ingenious deconstruction of the film space and the interpretive ambiguity. An excellent Norton and an equally good and inimitably cool Pitt. It’s impossible not to break the first rule – you don’t speak about Fight Club. 95% (12/05/2020)