Fight Club

An undisguised anarchist tinge of unapologetic shitting on the system? A satire on the emergence of terrorist groups seemingly based on good intentions? The hidden desires of a young man who wants to be something he can't be? Maybe none of it and maybe all of it together? In this case, I don’t care. The fact is that this is a brilliant piece of filmmaking with lots of great moments and food for thought. Fincher kicks ass. (13/04/2003)

Cult. Technically without hesitation (as it’s typical with Fincher), staying always one step ahead of the viewer, and always fun, original and solid. Maybe you’ll guess the twist, but even knowing it doesn’t affect the amazement at the ingenious deconstruction of the film space and the interpretive ambiguity. An excellent Norton and an equally good and inimitably cool Pitt. It’s impossible not to break the first rule – you don’t speak about Fight Club. 95% (12/05/2020)

This is the richest interpretive film I know. Is it a critique of consumerism, a satire on the far-right and anarchist associations at the same time, or just a provocative thriller about the need for violence? Maybe all of it. In any case, it takes a good bit of genius to make it not look, through its shiny facade, like an angry young generation that wants to save the world with rocks in their hands, but rather like a serious ancient philosopher who has it all figured out to the last detail. It was a breakthrough life film for when I was in my 20s, and a decade later it’s (only) a fantastic cinematic ride without compromises, reflecting the end of the 1990s like few other things. (21/11/2008)

David Fincher showcases an incredible game, which is not only about how well the whole story is crafted, but especially about how it is shot. It is expected that the performances are mesmerizing, but the way film techniques are utilized, various camera attacks, the insertion of seemingly nonsensical flashes, the mosaic of dreams and reality. David Fincher is the king of dark psychological thrillers and he proves it with essentially every film he makes. (25/09/2014)

The most indigestible, but intellectually and thematically the most charged and perhaps the most seductive Fincher's film for someone. And after mature consideration, also my favorite. Anarchy, fights, and at times hopeless situations, depression, and despair. But above all, life in it! Living energy of all characters at any time of the day, night, or person at any time. (20/08/2006)