Transformers: Dark of the Moon

I have bad with disruptive elements when it comes to Transformers. After a terrible experience with part two I went to the Imax, in the morning... but still I encountered kids. They were chatting away and kicking my seat from behind. And I think they didn’t even notice the movie going on. The screenplay... ehm... is some super serious conspiracy nonsense where there were fewer dumb jokes than last time, which is good, but at the same time so much happens that 154 minutes was just too little. Perhaps the director’s cut will be more satisfying in this respect. So that’s that. Now to the action, which is awesome as always, much more synoptic and the final action sequence that takes up the last fifty minutes of the movie is actually in 3D, just incredible. I actually had the feeling that Bay made Transformers 3 just to push the boundaries of 3D technology even closer to perfection. The highlight is probably the paratrooper mission in Chicago. Otherwise, the actors give their standard performances, Malkovich was really quite entertaining, and Rosie Huntington-Whiteley (one of the most beautiful new faces) is a perfect example of an accessory to the main character to the fullest (it’s quite funny how the situation is “supposedly" the other way round). The only new robot to get any space is Sentinel Prime, the others are here to make up numbers for the action. (13/07/2011)

Bringing epic trilogies to a close is traditionally a thankless job. Michael Bay managed to bring Optimus, Bumblebee, and the other Autobots to the end of their journey in the weakest installment, but that's no disgrace after the mesmerizing first film and the fairy tale-mythological sequel. The third Transformers film is occasionally funny, occasionally not so much, occasionally frightening, but above all, so grandiose from about a third of the way through the running time that it almost tears apart all your senses. What unfolds in Chicago is an audiovisual experience that leaves the viewer stunned the whole way home. But what elevated the entire trilogy for me is mainly the fact that this story was never about the largest amount of scrapped metal. Yes, it will always be a battle between the Autobots and Decepticons, but many people forget that amidst all the adventure, a young boy became all grown up. The one who first rode in a yellow Camaro three films ago and as a result ultimately saved the world... three times. (12/07/2011)

I went to the cinema thinking I was going to see a five-star film. After the first hour, I knew it was barely going to be 4 stars, and after another half hour I figured I wouldn't give it more than 3 stars. But then came the relentlessly long and repetitive ending and I can't even give it those 3. I liked Huntington-Whiteley until the fights started... then it just got ridiculous. Some of the effects weren't bad, of course, but the 3D was again completely unnecessary. A clean 2 stars. (06/07/2011)

Dark of the Moon is another of the fantastic highway action flicks that are becoming the director’s most reliable trademark. The spectacularly flying marines, following the example of The Dark Knight’s flight in Hong Kong, and the final action inferno in Chicago are pure action pleasure. For a Bay movie, it is also unusually easy to follow. But the rest of the running time, i.e. at least half of the film, is humorless, boring and at times annoying like never before. John Malkovich’s character is horrible, and watching Frances McDormand and John Turturro making idiots of themselves goes beyond the limit of the audience’s endurance. And in which television mini-series did they find Patrick Dempsey and Rosie Huntington- Whiteley? Megan Fox, we miss you. I will probably burn in hell for giving the third Transformers the same number of stars as Trier’s Melancholia, but what can I do? Michael Bay is a talented commercial creator, sold out to the US military, US government and unscrupulous corporations, while embodying the glittering shine and the technical insurmountability of Hollywood possibilities. Take his camera away and we won’t have anyone to hate and admire at the same time. (01/07/2011)

Wow, Michael Bay uses long takes (well, by his standards, don't expect any De Palma rides) and it's one of the best ideas he could have gotten. Similarly, the cameraman has apparently stopped or started drinking and his hand no longer shakes as if he has Parkinson's. This makes the action scenes in Transformers 3 really spectacular and clear. Seriously - compared to the previous two films, this time I even knew which robot was hitting which every time. So that would be the biggest plus. Another positive is the first twenty-five minutes or so of the film dealing with the moon and Chernobyl. Negative aspects? Everything else. Especially the script. It's not so much that it's stupid, I expected that, it's just that it's terribly boring. I mean, almost nothing happens in the first hour and a half (except for the aforementioned beginning), for God's sake! What about John Malkovich and Frances McDormand's characters? Completely unnecessary. Neither of them needed to be in Transformers, not to mention the main character's new girlfriend is as attractive as she is unlikable. At least the action ending was good and there was something to watch in the movie theatre. (19/07/2011)