Moon

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Duncan Jones, who won the 2010 BAFTA for Most Promising Newcomer, writes and directs this critically-acclaimed space isolation drama starring Sam Rockwell as Sam Bell, a worker for Lunar Industries who is nearing the end of a three-year contract to mine the moon's surface for the precious gas Helium 3, the solution to Earth's energy crisis. As he approaches his return to Earth, Sam reflects on the lessons he has learned during his prolonged isolation and looks forward to his reunion with his wife and young daughter. But a fortnight before his departure he starts seeing and hearing strange things that lead him to suspect that his employers intend to replace him in a far more sinister way than he imagined. Kevin Spacey provides the voice for Sam's only companion, a small robot called Gerty. (Universal Sony Pictures Home Entertainment)

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POMO 

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English Moon is cardboard sci-fi with a laudable idea, served up in a less laudable dramaturgical package. But the overall impression is positive: Sam Rockwell delivers a good performance and Kevin Spacey’s voice was a great idea. ()

Isherwood 

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English Danny Boyle is often thought about, but in my opinion wrongly. Jones’s story could easily have been set on Earth, but then it lacked the "Cameron-esque" detachedly cool industrial setting that perfectly supports the film's events. The story isn't rocket science but instead rides along a strong emotional level of a lonely man, which was a challenge accepted by Sam Rockwell, who did his job with incredible grace. Not to be unfair to the director - especially the opening paranoia and the schizophrenic feel of the second half do make us think - but Rockwell's acting, backed by Mansell's excellent score, actually "made" this film. It’s an unconventional film experience, though probably without a significant audience response. ()

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D.Moore 

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English I don't know, maybe it's my mood at the moment, but Moon disappointed me more than anything else. It can't be said that it was downright boring, certainly not (although it is slow, but I don't mind that most of the time), I "just" found the plot to be terribly empty. It’s almost about nothing at the beginning, then predictable again towards the end. There were no surprises, nothing that would make me sit up and pay attention. On the other hand, it features a fine performance by Sam Rockwell, a great Mansell score, the work of a director who did the best he could for the little money he had, and a few 2001 references. Yes, it's above average, but Moon doesn't get four stars yet. Maybe next time I see it... But that's still in the stars. ()

J*A*S*M 

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English Great sci-fi film. At the beginning I was afraid that what is immediately clear to smart viewers would turn out to be the shocking twist, but fortunately, the creators weren’t so naive. Moon delivers a very intelligent story, eye-candy visuals, excellent music (and catchy, I still can’t get that melody out of my head), and also emotionally strong scenes. All that together results in a unique movie that no fan of science fiction, or cinema in general, should miss. Basically flawless 5*. ()

novoten 

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English This series of monthly walks is clever, at times even surprisingly sophisticated, but it really lacks emotion in the last twenty minutes. Although the plot takes an unexpected turn, the thought processes are rationed and mechanized. What bothers me the most is the excessive stretching of the main idea. As much as it is likable and original, a short film format would suit Sam Bello much better. The pleasant feeling after watching mainly stems from the lunar environment itself. The hypnotic and immersive atmosphere is the only thing that truly sticks in my mind. ()

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