TRON: Legacy

The bearded Jeff can be nice. Computer Jeff is Guignol (almost like the Nordic model from the luxury perfume commercial in the lead role). To his detriment, Tron has a lot more Guignol in it than bearded men. As a visual story full of reflections and light contrasts, it is watchable, but unfortunately, in terms of the technical design there is only a pile of boring copies of real masters of imagination. Tron doesn't have one of his own, just the one on loan. And also not very luxuriant. But in this year's competition "pass", not "fail". P.S. Compared to the original film a fail in all categories, except the technical ones, of course. (10/12/2010)

I saw Tron: Legacy on TV in a classic 2D version, but I can vividly imagine how impressive it would be in a large movie theater with 3D. However, the second star is actually for my imagination because what I criticize about Tron wouldn't even be saved by a 5D version. Tron is a one-dimensional action spectacle with visually attractive visuals but completely devoid of emotion, it's sterile, and moreover, aimed at a completely different target audience. The world of computer games has never fascinated me, so this film doesn't have any charm for me. It doesn't work as a thriller or as sci-fi. I would really love to see a dark adventurous cyberpunk film, but Tron: Legacy has nothing to do with that. Overall impression: 40%. (19/02/2017)

Kosinski will (probably) remain a one-film filmmaker. Whoever watches his commercials on YouTube and then Tron Legacy will understand that this director is a design genius with a unique sense of visuals, which is perfectly emphasized by Daft Punk's music, but he is also an absolutely bland storyteller. The attempts to create something epic are very funny, whereas the rest of it is kind of dysfunctional. And yet, unless you might want a serious cinematic adventure, it doesn't let up because the primitive plot actually doesn't hurt the film at all. Regardless, there are two ways in which the film can be seen. Either just "watch" it (perhaps in HD over time), or "experience" it in 3D (and I say that whilst having quite an aversion to this technology as a cheap decoy from clueless filmmakers). (05/01/2011)

At times the words about the triumph of film design come to mind, but the boredom reliably overwhelms everything. I, as a viewer, have long since sobered up from the 3D fascination and the new Tron has nothing new to offer. Neither story-wise nor narratively; adjectives like "riveting" or at least "interesting" have no place in Kosinski's world. I enjoyed the old Tron infinitely more, even with its simple 8-bit graphics. (10/01/2011)

An incredibly wonderful world full of three-dimensional images. A picture about art which is art in itself. This isn’t a typical family movie, even though it was made as one. This in fact goes hand in hand with the fact that Tron: Legacy as a thing created for the masses remained misunderstood by those very masses. And it bombed at the box office. It remains “just" an experimental work trying to link two worlds on both levels. Maybe it could achieved both, but despite the director’s skills, in some places he made mistakes and so he didn’t succeed in this. Too bad (digital Jeff will no longer look digital in a couple of years time. We’re getting close with the technology, but we still have some way to go). Even so, it left me with a feeling that no movie has left me with for a long time. Amazement, a cleansing experience (but different than with Cameron’s Avatar) in a world where 1982 turns into the present. In this case, 3D made sense. (20/01/2011)