Ghost in the Shell

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Based on the internationally-acclaimed sci-fi property, "GHOST IN THE SHELL" follows Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology. (Paramount Pictures)

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Marigold 

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English Shell without the ghost. The scenography, design and audiovisual performance are excellent, the cast sympathetic, but from the complex spirit of the original, only a predictable and stenciled shell about naive souls abused by the corporation remains. It doesn't matter that the screenplay literally quotes certain ideas when there is essentially nothing left of the original meditation on "being a machine" except for a dozen revenge stories. But I could let that go. No one expects that the 180 million dollar blockbuster will suffice with wordless shots of sad facades and people's faces. But what I won’t let go is the second half and the fact that Sanders is a director with a sense of effect and smooth texture, but his style lacks the essence that would bring this nice cyberpunk wallpaper to life. It could have been worse, I agree. But it could have been better, one always realizes whenever a ghost really flashes in the movie - whether in the wobbly gait of Takeshi Kitano or the sad eyes of Pilou Asbæk. If this is what the Deus Ex adaptation would look like, I would actually be quite satisfied. But Ghost in the Shell is more than just a facade. ()

D.Moore 

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English A bit of a weaker combination of Robocop and Blade Runner... Especially when I think of the latter film, I'm struck by how dated and unsurprising Ghost in the Shell feels, while Blade Runner is still a great philosophical spectacle to ponder and still has something to say about people, humanity and other values. I quite liked the special effects, Scarlett Johansson had one and a half expressions from start to finish, but the role didn't give her more options, so okay. The action scenes weren't completely bad (maybe only the one against the walking tank or whatever it was, was terribly boring) and the music sounded interestingly atmospheric (it also wanted to remind me of Vangelis' Blade Runner), but I didn't take away any great experience from the movie theatre this time. In addition, it seemed to me that the film lasted about two and a half hours. ()

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Necrotongue 

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English I was intrigued by the cast, which made me excited to see the film, but I was actually disappointed. There were a few interesting moments now and then, which is not enough for 107 minutes, so it ended up being average to below average. I liked Takeshi Kitano, who kept reminding me of a koala bear. But the special effects gave the whole film a cheap plastic feel to it, like a kind of action PVC theater. It's a shame because the theme had decent potential. 3*- ()

3DD!3 

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English I haven’t seen/read the original, so… Visually impressive. An interesting story, but doesn’t go into as much depth as it could do. I presume that the comic book does. Philosophical themes are only lightly hinted at, while action plays the leading role and it’s really good to watch. Scarlett Johansson is really robotic (probably intentionally), while Michael Pitt is excellent. I didn’t see many parallels with The Matrix, so I have no idea why it’s compared to it. Sanders has nothing to be ashamed of in terms of direction. ()

gudaulin 

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English The shell is there, but where is the ghost? Ghost in the Shell is a narrative action-packed summer blockbuster intended for an audience with the mentality of a 14-year-old boy raised on video games. However, its cyberpunk appearance does not hide the cyberpunk philosophy. The title invokes the idea of a great conspiracy, a mystery that will be surprisingly revealed in the end. But the plot is trivial and predictable. Furthermore - and I really don't like this - the creators try to evoke the feeling of something smarter, with a philosophical overlay. Fortunately for Sanders' film, both Matrix sequels, which are probably the most glaring example of this flaw, were two levels stupider than Ghost in the Shell. Even the visuals didn't impress me as much as the creative team intended. It is overdone and not darkly depressing enough, as befits cyberpunk. The action is too frenzied, simply tailored to the generation of computer kids. It will receive two stars from me only just barely, and they are mostly for Scarlett. Overall impression: 35%. ()

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