Law Abiding Citizen

Yes, once again I will go against the current...:-) Law Abiding Citizen may have routine direction, an unremarkable antagonist, and an unsympathetic hero, whose value system and careerism could make weaker characters feel disgusted, but all of that is still enough for a decent three stars. But then we have the screenplay, which is unrealistic, megalomaniacal, not addressing many crucial moments, but above all, silly in its overall construction. The difference between a quality thriller and Law Abiding Citizen is the same as the difference between Zinnemann's The Day of the Jackal and its 1997 American remake. Put some high-tech gadgets in there, a few shocking twists, and an appropriate dose of brutality, and the result will surely come. In practice, the viewer is faced with situations where a terrorist places a bomb that he can detonate with a mobile phone, and instead of actually detonating it and delighting in the destruction of his victims, he walks home, so that his opponent manages to deliver the bag with the explosive, which, for a change, he knows can be detonated at any time or randomly explode, to the terrorist's bedroom and maliciously enjoyed watching the terrorist carry out his own sentence... Overall impression: 25%. (05/03/2010)

A solid thriller, extremely suspenseful from start to finish. We can thank for this the idea, which managed to turn even the classic theme of revenge into a fresh and unique spectacle, as well as the two actors (Butler's "daddy" really isn't a good guy, Foxx's prosecutor beautifully gropes between what is right and what is wrong), the direction and the music. However, some of the moments seen in Law Abiding Citizen (in its second half) did not seem to me the least bit realistic, or even feasible in a normal universe. Otherwise - a really good film. (22/07/2010)

The fusion of classic "revenge movies" with modern hi-tech toys promised all sorts of things, only to fall short of the promise itself. This is due to Gray’s routinization, which doesn't exceed the scope of the trailer in terms of action. Additionally, Wimmer's thought castration tries to combine themes of revenge (on whom and why?), the indictment of the judicial system, and family drama so clumsily and desperately that I now suspect the editor of sabotage, resulting in half an hour of footage disappearing into the void. The film has no gradation, no logical progression, and no tension to speak of. There are just a couple of crashing cars, a gloomy Butler (a good thing), a slimy Foxx (the last good thing), and the status of the year's greatest missed opportunity. (09/12/2009)

Wimmer's screenplay isn't particularly great, but it’s central idea is really good. Moreover, the excellent Gerard Butler immediately got not only to me, but also to my sister, and we were on his side throughout the whole movie. Personally I understood why he was doing it. Hell, I'd do the same thing. Unfortunately, the closer we get to the conclusion, the more the creators make him a negative character so that they could slip into an established template. Not that this suddenly makes the whole movie bad, it just takes a certain aura away from Butler. Something is stolen from the film that could have made it an unforgettable spectacle. It's not what you know, Clyde. It's what you can prove in court. (17/01/2010)

An above average and thoughtful film led by the talented Gerard Butler. I was glowing and gobbling it up the entire time. I was a bit more disappointed with the ending. It's happened a few times before that a brilliant film has been brought down by a pointlessly simple ending. This is a prime example. Otherwise, Butler is great again! He handles every genre with aplomb. 4.5 stars. (13/05/2011)