Mr. Nobody

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Before his death, the last mortal human on Earth reflects on his long past and thinks about the lives he might have led. A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? As he is forced to make an impossible choice that defined his life from then on. The young boy tries to find the correct path, following each choice to its conclusion. Eventually, the boy takes a third option: to not make the choice at all. He leaves both parents and runs away towards an unknown future. Infinite possibilities arise from the unlimited decisions. As long as he doesn’t choose, anything is possible. (Umbrella Entertainment)

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Kaka 

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English I didn't quite understand what the poet meant by that. It is extremely rich in expressive means, with plenty of imaginative scenes and ambiguous characters, quality performances, and dreamy atmosphere. It is similar to "Odyssean" works like Cloud Atlas, but it doesn’t work as well. ()

J*A*S*M 

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English Until about the middle the film was getting four stars, aiming at five if it managed to pull out a great ending. In the second half, however, it gets a bit too complex, and unnecessarily and pointlessly so given how simple the twist is. It’s nice to watch, the direction is top-notch (even though it’s a rip-off of a rip-off in its own way), but the idea gets stuck somewhere at the beginning of the journey. At times, it reminded me of an acquaintance who likes to quote Gandhi and “eruditely” speaks about Plato’s world of ideas, mixing in a drop of physical theories (about which I never heard and I suspect he made them up) and believes he’s very smart, even though his blog looks like the work of a basic school pupil. Mr. Nobody could have been a very good film, but for that it should have kept its feet more on the ground. I don’t regret watching it, but I believe it can’t offer anything to anyone (provided they don’t think it up themselves), because it doesn’t have anything. ()

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3DD!3 

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English A clever movie for average people? That’s what Chris Nolan is trying to do right now. Personally, I didn’t much like the director’s intention, but even I have to take my hat off to how he managed to combine dozens of inspirations into one functional whole. I had one story in my mind that Mr. Nobody draws on a lot (damn it!), but here they wrapped it in currently trendy sci-fi effects, but they left the fundamental basis and I was intrigued to see how they worked with the theme that I already saw somebody else wrestle with before. Quite interesting. And for those who didn’t understand how it ended. The answer to your question is... You choose. ()

lamps 

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English From the very beginning, the film pretends to be so artsy and clever that it stumbles on its own feet as it progresses, and falls short in its attempt to captivate the viewer on several fronts at once. I can't deny, of course, that it's beautifully and originally shot, that Jared Leto is a phenomenal actor, and that all the amazing shots have something to them in the overall context, but other than that, the film, with its complex composition and constant interweaving of several storylines, completely messed with my head and spouted one question mark after another, it failed to awaken any other feelings in me, and its precise cynicism didn’t allow me to experience the story of the main characters in any deeper way, which was probably a necessity in this case. Maybe the strength of the film would affect me more with a second viewing, but to be honest I hardly have the courage to do that. ()

kaylin 

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English Interesting use of music, interesting scenes, good performances, and great ideas, but all within something that's just a patchwork of ideas, held together only because from the beginning you feel it's something important. It’s not. This is simply a game for the viewer that doesn't lead to a successful conclusion. ()

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