VOD (1)

Plots(1)

Professor John Koestler (Nicolas Cage) discovers that the time capsule his son's class uncovers contains a coded message that has predicted with pinpoint accuracy the dates, death toll and co-ordinates of every major disaster for the past 50 years. His increasingly desperate quest involves the reluctant help of Diana Wayland (Rose Byrne) as they embark on a heart-pounding race against time to work out what happens when the numbers run out. (Icon Home Entertainment)

(more)

Videos (4)

Trailer 3

Reviews (12)

POMO 

all reviews of this user

English I, Robot was a pure studio movie – expensive, spectacular and bombastic, but also shallow and superficial. Knowing is a smaller, more modest film but also more personal and sensitive. Too bad that the not-very-original subject matter and weaker ending overshadow the otherwise perfect screenwriting and editing work, where everything from the detailed depiction of the characters and action dynamics to horror elements is delivered in precisely measured doses. Not to mention the fact that the special effects are not just self-serving eye candy, but are subordinate to a story with a soul. And I haven’t seen Nick Cage in such a well-fitting role for a while. Knowing is a high-quality small film that I’m rating higher than I expected. ()

Kaka 

all reviews of this user

English Thrilling atmosphere and visual effects. Proyas is one of the few directors who knows how to utilize the technical aspects of a film to the fullest, which means not only as a showcase of current technologies, but as a fully-fledged plot attribute. The solid beginning is unfortunately marred the quite clumsy ending – a blend of kitsch and pathos – and at times I even felt that the director didn't know where to go. In the last minutes, it was quite a mess. Knowing could have turned out much better. Cage is bearable after a long time, even in a non-action role. ()

Ads

Lima 

all reviews of this user

English Proyas is a wizard. For a ridiculously low amount of money (by the budgetary standards of modern Hollywood), he delivered an atmospheric visual treat that can send chills down the spine. Though script-wise is like a poor man’s Close Encounters of the Third Kind, and the pathetic conversation with the father and the grain scene look like something out of the Jehovah Witnesses’ magazine Watchtower, I still give it thumbs up for the bold apocalyptic denouement. The film is not without flaws, but you can feel the craftsmanship and the author's passion for the cause, and that is appreciated. Proyas's favourite albinos had a suitably creepy effect, with Cage surprisingly tame and not overacting. ()

gudaulin 

all reviews of this user

English When watching Knowing, I couldn't help but compare it to a similar film, The Mothman Prophecies, which is firmly situated in the mystery genre - unlike Knowing, which is genre-wise much broader, but essentially it is "bastardized sci-fi," which should be much dearer to me as a fan of the genre. Surprisingly, and I emphasize that I don't consider The Mothman Prophecies a film gem in any way. It's nice that Proyas has decent craftsmanship and tries to create the right atmosphere, but at the same time, he heavily copies from successful films of the past and relies on the most banal and naive ideas about encountering extraterrestrial intelligence. The combination of Close Encounters of the Third Kind with People from Space doesn't appeal to me much, not to mention that at times (e.g., in shots from the alien world or when the camera zooms in on the detail of the American flag waving in the wind), the director slides into blatant kitsch. The script is similar to the directing, in that it steals a lot and routinely puts it together. A separate chapter is Cage's performance. I'm not one of those who sharpen their wit on the topic of his current roles, mainly because most of his titles in recent years fall outside my interest, but his alternating roughly four expressions, with the frightened and stunned one prevailing, really got on my nerves. All in all, the destruction of the world according to Proyas doesn't seem smarter than according to Emmerich, nor is it more entertaining. Overall impression: 40%. ()

D.Moore 

all reviews of this user

English If Nicolas Cage has something to act in, he does it. In the case of Knowing, he was lucky to have both a decently atmospheric and chillingly escalating script and a director who really knows how to play with films. After a long time, Knowing is a Cage film (i.e., starring Cage) that I can recommend to just about anyone. Suspenseful from the beginning until the great final 25 minutes, with decent special effects and Marc Beltrami's music, which you will notice especially during the more dramatic scenes. Clean four stars, good job! ()

Gallery (68)