Public Enemies

There’s no need to hide it under a mountain of text, when one word is enough to describe Public Enemies to the tee: borefest; maybe extended with the adjective digital. It’s hard to say why this flat gangster flick needed to be so long, when not a single one of the protagonists develops in any noticeable way (Purvis has only goal for the entire film and Dillinger doesn't evolve at all after meeting Billie). The biggest problem is how uninteresting both of the main characters are; what can you do when you don’t have anyone to root for (because both of them can be seen negatively) and you don’t give a toss about their fates? A weaker 6/10. (19/08/2009)

On the one hand, the digital camera (I don't get it, but by the end I got used to it), the drawn-out plot and several historical inaccuracies, on the other hand, the perfect actors and especially the actress, the excellently filmed shootouts, very suspenseful scenes and Goldenthal's magical music. Public Enemies is good, even very good, but it’s not perfect. If Michael Mann had wanted to make something like Heat from the 1930s (and he probably did, given how sympathetically or unsympathetically Dillinger and Purvis are portrayed), he didn't succeed. But nobody expected that anyway, did they? (12/03/2013)

A "Michael Mann film" with everything there is to love and hate about it. It's probably going to have a hard time getting through the movie theaters, judging by the reaction of the Johnny Depp fans sitting next to me when I was sitting in there, but it's a hot contender for the title of "film of the year." (11/07/2009)

Miami Heat in the thirties where the first half is rather slow (even for Mann) but the second half more than makes up for this in genius. Production design? Pricey. Atmosphere? Such that money can’t buy. P.S.: If you ever read King’s short story “The Death of Jack Hamilton", you’ll have come across similar characters. (03/07/2009)

I approached Public Enemies with distrust despite the names involved because I had read some fairly negative criticism before watching the film. Fortunately, it was only prejudice because I had the honor of watching one of the most interesting films in the gangster genre in the last 10 years. If I don't give it five stars, it's only because the competition in this area is very high; very few periods and genres are mapped as well as the world of American gangsters in the 1930s. Johnny Depp plays his narcissistic and fame-craving Dillinger with ease and gusto, and his surroundings also consist of interesting characters with good casting. The portrayal of the love relationship falls a little flat, and I can imagine a more charismatic and charming actress in the lead role. It also plays a role that Dillinger's partner was only a passive element in his life; those desperate women from the movies Bonnie and Clyde or Mesrine: Killer Instinct, who directly participated in the robberies, are simply more appealing to the viewer. The film's strengths are its music and professional direction. Overall impression: 85%. I can't help but add that, compared to Scarface, which has a much higher rating, Public Enemies is a superior spectacle in terms of filmmaking. It's like comparing a tank to a Kia... (14/12/2009)