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A father (Viggo Mortensen) and his son (Kodi Smit-McPhee) walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones, and, when the snow falls it is gray. The sky is dark. Their destination is the warmer south, although they don't know what, if anything, awaits them there. They have nothing: just a pistol to defend themselves against the lawless cannibalistic bands that stalk the road, the clothes they are wearing, a rusting shopping cart of scavenged food - and each other. (Icon Home Entertainment)

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Reviews (9)

Isherwood 

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English Hillcoat certainly didn't do badly here and in fact, I can't imagine if McCarthy’s book could have been adapted more faithfully. However, like the Coen brothers, the film is brought down by the poor rewrite that simplified some passages for the film medium, and cut others, and yet added nothing of its own. I appreciate the austere work with images, which doesn't push the viewer into the popular post-apocalyptic depression, but rather strums on grimly sad strings, like the musician Nick Cave. Regardless, I’m glad Hillcoat had the balls to film it the way he did. On the other hand, the aftertaste of uselessness cannot be repelled, at least in my case. Seven thumbs up out of ten. I think I'll go to the movies. I’m afraid of Blood Meridian. ()

POMO 

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English The Road is a melancholic, beautiful movie involving a slowly and sensitively narrated story of two defenseless characters traveling in a world without humanity. It is a world in which I didn’t want to leave them alone and wanted to protect them. Viggo Mortensen is great and Robert Duvall is phenomenal. The film offers one hellishly chilling scene and a nice, ubiquitous piano motif. So far, The Road is the second candidate (after Shutter Island) for my top 10 movies of this year. ()

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J*A*S*M 

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English For most of the runtime I had decided on a 100% rating, but the last few minutes belong to a completely different film. When it comes to the portrayal of a post-apocalyptic future, The Road leaves all the modern competition way behind. Only the old British film Threads can be compared in terms of the intensity of the despair and depression. The Road is a strong argument for those who claim that I Am Legend and Carriers are not particularly good films. 9/10 ()

Marigold 

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English A sensitive and adequate adaptation of Cormac McCarthy's short story, as much as it can be. The truth is that what in the original referred somewhat to the elusive heights of "divinity", "sympathy" and "humanity" logically clings to mud and dust in the film. In my opinion, it could not have been shot any better or in a more raw way. However, it could have been tighter. ()

lamps 

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English I wasn’t disappointed. The film moves slowly, but keeps a magic and unique atmosphere. The beautiful camera work deserves praise, it captures that desolate and dark environment without a single glimpse of greenery and without any sign of life – I think the poster alone says a lot. Will, hope and love, that's what this unconventional adventure is all about. ()

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