Body of Lies

All the ingredients are here but this time it's no gourmet delicacy. It’s as though Ridley Scott was resting and not giving it his full concentration like he did recently with the American Gangster. In any case, the actors were excellent, the bearded DiCaprio gets cooler with every movie, Russell Crowe perfectly pulls off a dad/agent who teaches his son to go to the bathroom, the imaginary crown was stolen by Mark Strong whose Hani could easily carry a movie all of his own. The rest is an almost textbook hi-tech spy scenario. Smart enough to impress you, not good enough to drool over with bliss for two hours. 75% (07/02/2009)

"That is impossible. Because it will mean that you sat in my office and you lied to my face." The clash between the vibrant Arab world and the cold detachment of the systemic West is the most important message of the leftist Scott. Above all the final thought – better to live in a world where evil and therefore its counterpart is clear than in a sterilized system built on hypocrisy. This is nicely illustrated by the final scene, with DiCaprio shopping for oranges in a busy Arab marketplace while Crowe takes the foil off the vacuum-packed cut fruit in an empty airport lounge. Surprisingly, it doesn't jump out of context at all. What's terribly gratifying is the unsaid, which sometimes keeps the conflicts from even hitting fertile ground (a code of honor that DiCaprio is somehow unable to uphold throughout the film), but of course that's not the film's problem, it's the viewer's. The only downside I see is the script, which seemed to me to be perhaps gradating in reverse, and in general the final deus ex machina in the last moment is such a libation to film history... Nevertheless, Scott succeeds again in full. (22/06/2011)

Well, that's the way it is. While most people were watching our hockey players advance to the World Championship finals, I was watching Body of Lies. And I really don't believe that the hockey was more exciting! A delicious performance by Mark Strong, the chubby office rat Crowe, a (traditionally) great DiCaprio... They all star in what I think is a perfect film that brought Ridley Scott and his crew of filmmakers to the Middle East for the fourth time. It was fascinating to watch Scott's work with the story - he sticks to one main storyline, then gradually packs in more and more, letting them weave in and out of each other with such ease that the viewer can follow everything without any issues, and it all culminates in a heart attack scene with the hammer in the lead role. Wow. (22/05/2010)

Syriana in a more commercial guise. In comparison, Body of Lies is easier to understand, more accessible to the general public, but at the same time no less relevant, it’s pertinent not dumb at all and the acting is no worse. Ridley again proves anew that he’s getting a third wind in his retirement and hasn’t lost any of his talent. (15/12/2008)

Body of Lies is exactly halfway between a crowd-pleasing popcorn flick and a thriller that aims to analyze, provoke, and has slightly higher ambitions. According to the majority of users on FilmBooster, Ridley Scott did not please them with this balancing act, as popcorn enthusiasts feel it lacks more action, excitement, and grandiose scenes, while fans of art critique it for its shallowness, unfinished elements, and clichés. I must say that Scott pleasantly surprised me, and I rank this piece above American Gangster, which I found somewhat distant. I rank Body of Lies in his filmography in third place, behind Alien and Blade Runner, which I still hold dear due to my love for the sci-fi genre. This film relies on a quality screenplay, top-notch direction, and excellent actors, and as a whole, it runs smoothly without any major stumbles. I could, of course, point out a few minor flaws, but if I were to do the same with many of its genre counterparts, I would have to discard a lot of famous films. A thriller like Tinker Tailor Soldier Spy certainly surpasses Body of Lies in terms of attention to detail and atmosphere but that is a slightly different sub-genre and a film that is heading in a completely different direction. Overall impression: 90%. After the brutal disappointment with Prometheus, Ridley has redeemed himself in my eyes once again... (19/11/2012)