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During the filming of a big-budget Vietnam epic, the self-absorbed stars signed up to the project behave unreasonably, resulting in a four million dollar explosion going off with no cameras shooting - and rendering the whole project unviable before it has even begun. The director of the film, Damien Cockburn (Steve Coogan), decides to leave the spoiled actors in the middle of the jungle - and, in an attempt to salvage some footage from the wreckage of the doomed project, installs hidden cameras to follow their escape. The actors are left with only a map and a scene listing to guide them to the helicopter waiting at the end of the jungle. Along the way they encounter a series of obstacles including land mines and an international heroin-dealing ring. (Paramount Pictures AU)

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Reviews (9)

DaViD´82 

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English Stiller knows very well that making a parody doesn’t mean making one-to-one copies of one scene after another, but rather about well scattered nods and making sure that the movie works as a whole. You need to be skilled enough to shoot it at least as well as the original. This “anti" Hollywood Tropic Thunder was no disappointment in that respect. But, as hard as it tries, it just isn’t funny. It simply tries too hard and turns out unnatural. It’s like Stiller missed his fellow Frat Packers and their chemistry and interplay. Maybe it should have set out on the journey to absolute absurdity that we know from Zoolander or Dodgeball rather than this rather vulgar normality. ()

Isherwood 

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English Stiller is getting smarter and smarter, and he can make fun of things you thought everyone had already made fun of enough a long time ago. After the modeling industry, Hollywood is taking the hit with such vigor it's chilling if it's really true. The excellent technical aspects are just the cream on the cake, but the cherry on top is Tom Cruise - at least for having the courage to make such an ass of himself, and with such grace that I would really give him the Golden Globe! ()

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kaylin 

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English I like Ben Stiller as an actor, but perhaps I like him even more as a director because he always manages to bring out the best in a film. In this case, it's a great critique of actors, executed in such a way that it's genuinely entertaining. Great actors were chosen for all roles, but you simply can't forget about Robert Downey Jr. and Tom Cruise. ()

POMO 

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English Jack Black’s comedic potential is completely unused here; his character could have been played by any unknown comedian and the film would not have suffered for it. Ben Stiller is funny only when he plays “the guy he played in another movie”. Robert Downey is cool only thanks to his black accent. For every one good joke in 20 minutes, there are ten forced or downright unfunny ones. The only thing that stands out and hits the bull’s eye here is Tom Cruise. I like crazy comedies, parodies, war movies and criticisms of Hollywood, but sorry, I like my steaks done right. ()

gudaulin 

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English During its premiere, I avoided Tropic Thunder by assuming it would be too much of a dejected commercial blockbuster that I wouldn't enjoy. When I saw it on TV later, I had to admit that I had unfairly judged Tropic Thunder to some extent, because it is an entertaining film, made and acted with ease. I can give it three stars with a clear conscience, but unfortunately, I won't go any higher. The film is funny, but not smart, simply because Ben Stiller doesn't have that type of personality. He is a comedian who doesn't aim higher than making the audience laugh and doesn't care about criticism or analyzing the system. It is not a sharp satire, even though it has the potential and knowledge of the film industry to do so. One Flew Over the Cuckoo's Nest was such a satire in its time or more recently Wag the Dog. Stiller prefers sometimes well-functioning, sometimes cheap, straightforward gags. If the film works well as a whole, it is thanks to the star-studded cast, who are clearly enjoying themselves and making fun of their celebrity status. Tropic Thunder parodies specific scenes from films like Apocalypse Now or, especially, Platoon. But at the same time, it is a parody of the manners of favored acting aces and their perpetual dilemma between lowbrow consumer production, which sustains them, and the desire for artistic self-realization and appreciation from professional critics. In the second half, I felt that the film lost not so much its pace, but rather its charm and wit. Much more could have been pulled from all that mystification and confusion... Overall impression: 65%. ()

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