Dallas Buyers Club

Dallas Buyers Club is a film whose main pillars are the subject based on a true story and very good performances of both leading actors, Matthew McConaughey and Jared Leto. Both of them have taken their roles conscientiously and their performances are convincing, so I am not at all surprised that both of them got the Academy Award. I must also commend the work of the make-up artists, who did an excellent job. I was slightly bored at a few moments, but otherwise the plot was very tight and consistent (17/03/2014)

Academics and the majority of people were once again fooled by the placebo, similarly to some of the patients in this film. The serious existential theme darkened their minds and for two hours, the classic standards of cinema ceased to function, meaning that what we usually see as bad in other films does not exist here. This film is small, modest, and undoubtedly serious and alarming in its theme, forcing us to reflect. However, besides brilliant performances, the witty dialogues, and the excellent costumes, there is nothing so revolutionary about it that would justify treating it as the film of the year. Ultimately, it doesn't say that much, though it should also be noted that it doesn't impose or force anything. So, as a historical reconstruction it’s okay, but it falls far from being a captivating film. I wasn't thrilled; I was satisfied, without being extremely enriched. (02/07/2014)

-Thank You. -Fuck off! Breaking Good? Not entirely. Dallas Buyers Club is surprisingly not an emotionally manipulative drama about the belated awakening of a homophobe. It is rather a sober film – in terms of both form and content – that instead of glorifying Woodroof, admits that this cowboy did not deserve any exaggerated compassion even after he contracted AIDS. The effort taken to not harp on the protagonist’s suffering and to simply depict him corresponds to the objectiveness of the form (filming without additional artificial lighting, documentary-style asymmetrical shot compositions, non-evocative use of music). If the film isn’t emotionally cold,  that’s particularly due to the gaunt McConaughey, who lost approximately 20 kilos for his role as Woodroof. Even though he plays only a shadow of his heroes from other films, he never loses the sparkle in his eye. The way that he combines inordinate self-confidence, blatant impudence and admirable tenacity makes the protagonist an ideal campaigner against the (medical) establishment, which expects nothing more from its nemesis, who personifies the indomitable nature of American ambition, than the fact that he will soon die. Also fascinating especially for his physical transformation is Jared Leto, whose scenes with McConaughey are remotely reminiscent of Midnight Cowboy, another film that didn’t take itself too seriously and, on the other hand, neither revelled in its serious subject matter nor trivialised it. 75% (11/01/2014)

A very intense film about people with an expired warranty and how the state treats them. As I have first-hand experience with this subject, it is very close to my heart and the writer and director have handled it really well. I'm pleased to see that Matthew McConaughey, after all the disasters he's been in, is back to proper acting, further exemplified by True Detective. An excellent film with a very depressing atmosphere and no unnecessary melodrama. Exactly what I needed. (14/08/2016)

Matthew is on damn good form and he’s delicious in this winning movie. We’ve seen the topic of AIDS and struggling against villainous corporations (“Fuckin’ FDA") many times before, but I can’t remember that it’s ever been served up with such style before. The life that his sickness brings with it is surprisingly fuller and more interesting - after all, he went to Japan and founded a fairly successful business. In terms of acting, this is top league on top form, Jared Leto was more convincing as a woman than as a man! It’s for personal consumption. (23/01/2014)