Robin Hood

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Robin Hood chronicles the life of an expert archer (Russell Crowe), previously interested only in self-preservation, from his service in King Richards army against the French. Upon Richards death, Robin travels to Nottingham, a town suffering from the corruption of a despotic sheriff and crippling taxation, where he falls for the spirited widow Lady Marian (Cate Blanchett), a woman skeptical of the identity and motivations of this crusader from the forest. Hoping to earn the hand of Maid Marian and salvage the village, Robin assembles a gang whose lethal mercenary skills are matched only by its appetite for life. Together, they begin preying on the indulgent upper class to correct injustices under the sheriff. With their country weakened from decades of war, embattled from the ineffective rule of the new king and vulnerable to insurgencies from within and threats from afar, Robin and his men heed a call to ever greater adventure. This unlikeliest of heroes and his allies set off to protect their country from slipping into bloody civil war and return glory to England once more. (Universal Pictures US)

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D.Moore 

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English I'm delivering on what I promised, and after watching the director's cut DVD version, I'm adding a fifth star to the four strong movie theatre stars. And I like adding that last star. Ridley Scott is a whiz at this kind of film and in Robin Hood he once again shows very solid craftsmanship, which together with Gladiator and Kingdom of Heaven makes a fantastic historical triptych. It's hard to know what to praise first. A script that isn't afraid to look at the legend from a completely different angle? The direction, visuals, music and elaborate costumes and props (see the bonus features on the DVD)? The great pairing of Crowe and Blanchett, with a nice spark between them (saving the ram)? The slimy Mark Strong, the dignified Max von Sydow, the bearded William Hurt, the unrecognizably masked Danny Huston? I really don't know and that's why I applaud everybody. Robin Hood is definitely a good film, worth two and a half hours of your time.__P.S. The way Scott quotes Private Ryan at the end really amused me.__P.P.S. The only flaw is that I expected the director's version to be at least half an hour longer. ()

DaViD´82 

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English I was too content to be disappointed, but... I expect rather more from Ridley than a slipshod, while entertaining historical snack. I don’t doubt that in a year and a day we’ll see the release of a dozens of minutes longer and countless percent better director’s cut. Because mainly the editor had to do inhumane overtime on the second half and so in many places it doesn’t make too much sense. But it isn’t ridiculous, not at all (apart from the lady charging on the pony, huh?). The reason why Robin Hood is worth seeing isn’t sumptuous production design (there is none, anyhow) or monumental battles (there are none, anyhow), but the electrifying courting chemistry of the central two. Despite all of potential for mediocrity, I would certainly like to see a part two. Or, better still, I want Scott to give us a whole new movie about Richard played by Huston! P.S.: And although this has almost nothing to do with the legend, still it is a hair’s breadth closer to it than what they did in the version starring Costner. ()

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novoten 

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English He promised us the story of the Duke of Nottingham, then a dual role for Russell, and finally reminded us of Gladiator through the trailers. And there Ridley Scott luckily remained. Robin Hood is indeed about a rebellion, but it is not a pathetic epic about noble heroes' victory. It is a cautiously romantic memory, but not a fairytale about Robin and Lady Marion. But most importantly, it is the story of a few righteous men and the rough birth of a legend. ()

Kaka 

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English In the Kingdom of Heaven, I was expecting another Gladiator and I got something completely different. The initial disappointment was replaced by amazement and understanding after the second and especially the third (extended version) screening. With Robin Hood, I was expecting another Kingdom of Heaven, and, once again, the film was completely different. This time, however, I was prepared for such a possibility and it didn't surprise me so much. The muted rating really bothers me; the absence of blood is incomprehensible, especially considering that the film takes place in the harsh Middle Ages, and one of Ridley Scott's main trademarks is his unmistakable sense of visuality, therefore I consider it fatal that one of the key ingredients is missing. The music is average, it's not comparable to either of the aforementioned films as a standalone soundtrack by any means. The acting is high-quality, and most importantly, the romance of the Middle Ages was exactly what the film needed, and at the same time, it was something one wouldn't expect. Surprisingly, there was almost no pathos and unnecessary heroic scenes – equally unexpected. I would greatly welcome a sequel where everything really begins, an extended version where the story is better analysed and edited, and most importantly, an unrated version because otherwise it really doesn’t work with Robin. For now, it's an average rating, but it's highly possible that it will fluctuate, as it has already happened with Ridley. Kevin Costner still remains the best Robin Hood. ()

lamps 

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English The director laughs while the viewers cry. Superbly cast and extremely engagingly narrated, the two and a half hours flow by like water among authentic battle scenes and impressive locations. But despite expectations and Scott's reputation, Robin Hood is nothing but a summer popcorn flick that brings nothing new to the table and incomprehensibly distorts the original legendary story. From Scott, this flabby, impersonal and pointless in every sense film is a scam. ()

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