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Daniel Plainview (Daniel Day-Lewis) is an independent oil man, who with his son H.W. (Dillon Freasier), is looking for prospects in California at the turn of the 20th Century. They are challenged by a young preacher, Eli Sunday (Paul Dano), whose own ambition is matched by Plainviews. Their battle forms the centre of a scary, darkly-comic historical journey into an abyss of madness. There Will be Blood is Paul Thomas Anderson's American nightmare belching fire and brimstone and damnation to hell. (Roadshow Entertainment)

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Reviews (14)

gudaulin 

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English Maybe I was too excited by the five-star compliments from my favorite users and their enthusiastic comments full of superlatives, just like the Oscar nominations, because when I finally managed to watch it thoroughly, I was slightly disappointed. It is definitely a case of professional filmmaking with quality camera work, a strong storyline, and quality actors. However, fitting 30 years of the main character's life and work into a single feature film is still a challenge, and the screenplay could not avoid a few significant jumps in time, cutting out certain motifs, and overall flattening. Sometimes the character Daniel Plainview is compared to the main protagonist of The Social Network due to his self-centeredness, but with that film, it only took one year spent alongside Mark Zuckerberg for me to get into his mindset and understand his motivation, whereas, in the case of the oil prospector, his motivation and character slip through my fingers somehow. It could have been a great film about the oil industry, which, along with the automobile industry, shaped the economic history and prosperity of the United States in the first half of the 20th century, but the screenplay fails to capture the grandiose growth of innovation and wealth or simply everything that moved the lives of the residents of the mining areas. Nevertheless, there are a few scenes that leave no doubt in my mind that the film deserves its 4-star rating, such as the final confrontation between Plainview and his ideological opponent, the leader of the religious community. Overall impression: 75%. ()

Isherwood 

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English An epic fresco, in which Anderson's purposeful filmmaking is matched by the riveting acting of Daniel Day-Lewis, who once again gets to the heart of his character and doesn't act, but simply is that character. The two-and-a-half-hour portrait of a tough egotist who managed to fulfill the American dream without faith and family may not be to the liking of many American churches, but at least it creates a functional subversion of the established rules. This is the essence of perfect filmmaking! ()

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DaViD´82 

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English "That was one goddamn helluva show." Yup, it sure was... In other reviews you frequently come across strong claims such as movie of the year and the like. I might even increase the aforementioned unit of time to cover a longer period. Why? Because it’s already a good few hours since the movie ended, but I’m still quivering with absolute delight. And something tells me that I will continue to quiver for a long time yet. I feel as if Anderson made this for me alone. This grand work may be described using but four words: cynicism (with respect to mankind), cynicism (with respect to religious fanaticism and religion in general), cynicism (with respect to the American Dream), and cynicism (with respect to everything else). Simply cynical egoism to the core and a good feeling from knowing that Anderson watch The Treasure of the Sierra Madre very attentively. Additional note: Second time round it’s maybe even better. On my second visit to the movie theater, Anderson again drowned me in black gold. And I had a great time all the while he was drowning me. It’s high time to take a good bath. ()

D.Moore 

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English Here we go again. A good film in every respect, but I have one major problem with it: Its main character is an anti-hero. On the one hand, of course, I bow down to Daniel Day-Lewis, who made the initially somewhat sympathetic Plainview convincingly and utterly disgusting to me with his brilliant performance, but on the other hand, I take no pleasure in watching a man who deliberately hurts, abuses and despises his fellow human beings. I know that such people exist (and that there are lots and lots of them), I just don't have to watch them in realistic dramas. So from about an hour ago, I wished Plainview the worst possible ending... And that's probably why I didn't enjoy There Will Be Blood as much. Otherwise, of course, I praise the unusually but sympathetically slow direction, the strange but impressive music, and the beautiful cinematography. ()

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