Sweeney Todd: The Demon Barber of Fleet Street

Depp is not a flawless singer, the almost incessant barrage of songs is a bit of a shame and the eternal depression may be a bit too desired, but still a weight has been lifted off my chest. Burton took on a huge challenge that could have caught him off guard many times - to navigate through it with great bravura. And that's despite working with very unambiguous characters like a vengeful barber or a wicked judge. The master of charming oddities has decided to discard issues of accessibility and lets blood splatter, razors fly, and characters die in slums. And the increasingly tragic taste of it leaves feelings so enjoyable and stirring that I would push Tim towards another art immediately. Because handling it with the heart like this is something only a few can do. (25/02/2008)

So close to a fourth star. Unfortunately though, blood and human flesh is not my thing, so I just can't give it. It certainly has Burton's weirdness, spookiness, and strangeness. The musical aspect is more than excellent. Johnny gives an incredibly good performance, Helena Bonham Carter perhaps even better. But the second half was too much for me. (27/06/2011)

After a second viewing, I have to stick with three stars. Sweeney Todd simply lacks heart and its witty ending doesn’t salvage it in this sense. The violence is cold and hateful, lacking Burton’s narrative poetics (like in Sleepy Hollow, for example). Todd’s decision to become a serial killer is unjustified and doesn’t make sense. And I don’t think that the singing Johnny Depp was a good choice for the title role. The other actors, however, were superbly cast and the set designs and music are great. (30/01/2008)

One star is for the artistic execution, which shines the most at the very beginning in the opening credits and then plays a smaller and smaller role. It is necessary to realize that this is too little for Burton, who is capable of much more and can provide a much more intense experience than in this film. The second star is for the central acting duo, where surprisingly Helena Bonham Carter takes the lead as the cynical and pragmatic Mrs. Lovett. The problem is that this time, the traditional Burton-style game is subordinate to the director's effort to be part of both the musical and dark thriller genres, while Burton is traditionally stronger in the comedic and poetic aspects. As a musical, Sweeney Todd completely failed in my eyes, and in terms of music, it is a completely forgettable affair that only deserves 2 stars. There is not a single melody or text that would bring me joy. In terms of drama, this film didn't evoke any strong emotions in me. Neither sorrow nor fear. It just doesn't work. A completely small film with the same theme, which has a completely average rating on FilmBooster, specifically The Tale of Sweeney Todd, made a greater impression on me despite its modest production design. Overall impression: 45%. (18/09/2012)

Cruel and sadistic, which is why it will appeal to the era of today. It's just that sometimes I don't fit into the era of today, so I guess that's why I wasn't as impressed with Sweeney as I thought I’d be. And I was looking forward to it so much. I was expecting something different, which is fine, my ideas are always "romantic". I guess what disappointed me the most was that the story was so readable, his actions so predictable. Such a pity. But even my favorite actors and their performances didn't can’t make me give more stars... Sometimes love is cruel, but why prove it with a razor and forget it? (22/03/2008)