Watchmen

A complex, smart, R-rated comic-book gem. I’m quite surprised by the talk about the complexity of the film, I was afraid that I would get lost because I don’t know Moore’s original. But I didn’t have any trouble and nobody capable of paying attention to a film should, either. Watchmen captivated me in several ways: the intellectual and visual aspects, the brutality and how uncompromising it is. Awesome! (09/03/2009)

I’m not completely sure what to write. It’s definitely not a straight 5, because Moore’s content far surpasses Snyder’s form. The movie seemed to me terribly cursory at times, but still worked excellently and all the viewers got to know all they needed. I can safely say that it was a three hour ride without a dull moment. But it definitely isn’t the best comic book film. Oh and by the way: right in the middle of the finale when the plot was as its climax the projector broke down and caused an awful 5 minute intermezzo filled with hectic activity of my brain thinking about how it would end. (07/04/2009)

The biggest surprise in years. I don't really like Snyder (300 will confirm that) and I don't know the comic books, so this seemed to be a first-class head-on collision. But after completing three hours and thirty-five minutes in the Watchmen world, I'm just in awe. I'm in awe of the narrative structure Snyder chose, how he chose rich mythology over a straightforward plot, I'm in awe of the depth of the individual characters, I'm in awe of the absolutely brilliant compositions (Hollis's last duel, in which he projects the glorious strokes of his life, Rorschach's conversion into a mask in the lair of a pedophile), I'm in awe of how Snyder transformed the indigestible fetishism and effectiveness into an incredibly coherent and aesthetically polished whole (the title sequence rolls radically, I'm speechless), I'm in awe of the inclusion of the pure comic book insert Black Freighter, which fantastically resonates with the overall tuning of the film... I'm in awe, even though there's a few unnecessary shots, a couple of deranged ties and unnecessary masturbation. I'm in awe of a film which I rank, alongside Nolan's Batman films, among the top three comic book movies that have ever hit the silver screen. I don't even know if I'm sad that I didn't see it in the movie theatre, because those nearly four hours of TV were almost a spiritual experience of pure ecstasy from post-modern mythology... (22/03/2011)

Many adjectives can be used for his film. It is impressive, visually polished, excessively comic book-like, and stylishly action-packed. It is a bombastic spectacle that reminds me of the opening of the Olympic Games in Beijing. Unfortunately, I have always preferred small theater forms and similar shows where the idea does not disappear in favor of impressive action that does not impress me. It is over-stylized, illogical, and cold. It is a certain tribute to comics, but to the ones that never appealed to me, namely the superheroes. It is exactly the type of production where I get the impression that the film heroes go through so much effort to achieve a banal goal. I always remember the scene from the first Indiana Jones movie, where a native warrior dramatically fences with a sword in front of a surprised Indiana Jones, only for him to eventually pull out a gun and shoot the warrior while saying "Go to hell." For example, the scene where the villain breaks into the victim's apartment, beats him up for a long time using all the furniture in the room, and breaks a table with him, only to eventually throw him through specially reinforced glass onto the pavement instead of pulling out a gun and shooting him. It is indeed impressive, but incredibly stupid. Watchmen is exactly the type of film where style and effects are everything. Overall impression: 60%. I do not regret seeing  Watchmen, but I do not intend to return to the film in the future. Fans of blockbusters can easily add two stars. (14/12/2009)

[Full disclosure: I’ve never read the comic books] Twenty percent of the running time comprises the events that actually happen in the film, while 80% consists of flashbacks familiarizing us with the characters, who didn’t grow on me and of whom only one – Rorschach – is well-written and acted (i.e. interesting). There is virtually no action here, but everything is wrapped up in beautiful visuals full of imaginative montages and slow motion shots with a feeling of fantasy, where nothing is impossible and where a neon blue superhero is constantly philosophizing about something very clever beyond the understanding of us Earthlings. Through the first third of Watchmen, I was filled with awe and excitement (and pleasantly surprised by the amount of sex and violence and the moral depravity of the main characters), but I was looking forward to the end of the flashbacks and the start of a proper film adventure. As there was no change in the second third, I started to feel bored and irritated. I literally suffered through the final third. Had I been the producer of this megalomaniacal political, (pseudo) philosophical, fantasy conversational, R-rated flick, I’d off myself. (28/02/2009)