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David Rice (Hayden Christensen) is a high school student in Ann Arbor, abandoned by his mother at five, enamored with Millie, a fellow student, and picked on by at least one classmate. On a winter's day, while about to drown, he discovers he can transport himself instantaneously to anyplace on earth. He leaves town, goes to New York City, robs a bank vault, and comes to the attention of a shadowy group of government hunters. Eight years later, the hunters, led by the murderous Roland (Samuel L. Jackson), get a fix on David. He heads home, searches out Millie (Rachel Bilson), invites her to travel with him, and only later realizes that Roland and his crew are seriously deadly. Is everyone close to David in danger? (20th Century Fox AU)

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Reviews (8)

Lima 

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English The script was probably written according to the manual "How to write an 80-minute plot without breaking a sweat," and Hayden's a one-dimensional wooden actor. A very weak result for Doug Liman, short and rather dull silly stuff for MTV kids out of school. Thanks at least for Jamie Bell, who brought some adrenaline and dynamism to the story and compared to the bland Christensen looks like a rhododendron next to a dead cactus. ()

gudaulin 

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English Current special effects technology is at such a level in the film industry that it allows practically anything to be filmed for a relatively decent amount of money. Jumper is an example of a film that relies on special effects scenes and quick editing. It reminds me either of a long music video of a rock band or a long advertisement for an adrenaline sport or an energy drink. It is exactly the kind of movie that teenagers between 13 and 15 years old will appreciate, but with each additional year, especially with a slightly more critical approach and higher demands, the experience fades away. It is a superficial spectacle where the characters lack any depth, and the storyline is so simple that even a ten-year-old child could have been hired instead of a screenwriter. Overall impression: 25% for the beautiful scenery. By the way, Hayden Christensen's performance is terrible... ()

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kaylin 

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English "Jumper" is a movie whose title caught my attention when I first heard it. In 2003, I wrote a short story called "Skokan" ("Jumper" in English). When I was thinking about what it would be called in English, it would be exactly "Jumper." When I finally watched the movie, I found out that it was based on a slightly different source, which was written by Steven Gould in 1992. Hayden Christensen played a young man who can jump in space and move from place to place through teleportation. The idea is nice, but the execution is a bit worse. The film tries to be cool, so it is action-packed, Samuel L. Jackson has a great look, but that's where it ends. Once a stupid connection with faith is introduced, the film lacks any real meaning and it becomes just a fight between the powerful against the oppressed. The allegory, in this case, doesn't bring much. More: http://www.filmovy-denik.cz/2012/04/jumper-babel-kung-fu-divocina-miami.html ()

Kaka 

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English It’s stupid and unbelievably simple, but a spontaneous trip to Rome, the lovely Rachel Bilson, an executive suite at the Boscolo Exedra hotel with a stunning view of the city, and first-class on the way there and back are attributes that really won me over. It's all about how you approach it. Jumper is a one-time watch, the theme is interesting, but the plot lacks depth. Technically brilliant and fast-paced. Quality editing is a given with Liman. I wouldn't criticize it that much. I enjoyed myself. ()

novoten 

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English "...and so I jumped for the first time...." But what came out of it? For adventure-seeking teenagers, it was definitely a delightful experience and a fulfilled dream, but for others, it was a slightly hesitant breather with forever young Hayden, adorable Rachel Bilson, and reliable Jackson. And unfortunately, also with unfinished, or rather just lightly touched upon mythology (see the story of the Paladin hunter, which ends almost before it begins). I admit that I enjoyed it because the weak half an hour and a half flies by very quickly, and with a bunch of money, Liman managed to make it really very visible, but judging from the hesitant box office results, I wasn't the only one who wasn't very bothered that there won't be a continuation. ()

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