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When a young man, Tristan (Charlie Cox), tries to win the heart of his beautiful but cold object of his desire Victoria (Sienna Miller) by going on a quest to retrieve a fallen star, his journey takes him to a mysterious and forbidden land beyond the walls of his village. On his odyssey, Tristan finds the star, which has transformed into a striking girl called Yvaine (Claire Danes). However, Tristan is not the only one seeking the star. A king (Peter O'Toole)'s four sons - not to mention the ghosts of their three dead brothers - all need the star as they vie for the throne. Tristan must also overcome the evil witch, Lamia (Michelle Pfeiffer), who needs the star to make her young again. As Tristan battles to survive these threats, encountering a pirate named Captain Shakespeare (Robert De Niro) and a shady trader named Ferdy the Fence (Ricky Gervais) along the way, his quest changes. He must now win the heart of the star for himself as he discovers the meaning of true love. (Paramount Pictures AU)

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Reviews (15)

Kaka 

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English Camera flights and shots of large panoramas, striking orchestral and choral music, slow-motion shots of running horses – at times it looks like another installment of Lord of the Rings, but it is by no means that. Stardust is a heartfelt, immensely entertaining, and funny ride that will amuse viewers of all ages. It won't bore the little ones, and it won't offend the grown-ups, which is damn hard to achieve, especially in fantasy these days. All the wannabe successors to Peter Jackson burned out until now, almost without exception, but Matthew Vaughn scores with witty humor, clever dialogues, and an excellent cast, with Claire Danes and Robert De Niro leading the pack. And just when it seems like it could fall into cliché and sentimentality, something happens that turns the previous minutes on their head and the ride continues at a brisk pace. A project that wasn't believed in and yet succeeded. ()

Isherwood 

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English Gaiman's book is just heavy hype, whose biggest weakness is the author's inability to properly develop the themes of the "other" type of fantasy that he claims to be writing, which is why the expectations for the film were zero. It was all the more surprising to me in the end that I consider Stardust the best fantasy film since The Lord of the Rings. It won't impress you with bombastic special effects (the film was very heavily underfunded) or a sophisticated plot (it couldn't have squeezed more out of the book anyway). Yet from amongst all the films that followed Jackson, only now has a film come along that doesn't ooze producer calculations, but is instead shot with refinement, confidence, and proper authorial passion. Charlie Cox is likable, Claire Danes is truly as beautiful as a star in the sky, and Michelle Pfeiffer still exudes irresistible sex appeal. But none of them can compare to Robert De Niro, who clearly sensed that this was a proper role after all these years, and he enjoys his rugged captain with the tender soul of a transvestite so phenomenally that I (with apologies) shit myself with bliss. From a filmmaker's point of view, it's not worth top marks, but I nevertheless give it full marks for the sincerity that kept me endlessly entertained for two hours...with a wink. ()

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Othello 

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English After the two films I've seen from Vaughn (Kick-Ass and this) I'm still not convinced he's much of a director, but he's definitely a cool wingman. Stardust is a not-so-cleverly story edited affair (enough things here could have been resolved in dialogue and didn't need to be unnecessarily shown) that has little will to mask its social budget and devotes its own shot, if not scene, to every digital special effect, no matter how bad. You even realize at the beginning of the film that you hate everything that's been there so far. And yet without it, the gradual coming of age of not just the hero, but the story, probably wouldn't work. First you're delighted with details like the hillbilly Yvaine, the envious witches, the blue blood, and the brotherly shenanigans (with, again, the unbelievably perfect Mark Strong), then the whole direction the film takes with lots of perfect digressions to round out the plot, the best of which I would consider to be the relationship between the fearsome Captain Shakespeare and his crew of cutthroats. And I still enjoy the pirate rapists' tough-guy gesture to this day. "Now remember, Captain Shakespeare has a fearsome reputation." ()

lamps 

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English Very good. When Matthew Vaughn's exuberant imagination is not enough, either Michelle Pfeiffer's ever more attractive witch or the amazingly funny Robert De Niro on a truly unique role step in with great gusto. The fantastic story and, above all, the world it creates are less appealing and holistic than, say, The Neverending Story or the still unique The Princess Bride, but I can't recall an American fairy tale where the director managed to combine a purely childish portion of entertainment with a purely adult one so brilliantly and seamlessly. Anyway, I am convinced that if Václav Vorlíček had had the same budget and technical possibilities in his time, he would have handled such an interesting subject a little more magically (though certainly not more entertainingly). 4* and a bit. ()

gudaulin 

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English Undoubtedly the biggest cinematic experience from the films of recent times. It is a very pleasant fairy tale fantasy, and very well acted, cast, and thoroughly handled both in terms of direction and script. An impressive romantic spectacle about the search for love and success in life. Contrary to some reviews, I don't think it suffers from poor set design. Scenes with the airship are among those that I will always remember, and as a boy, that's exactly the kind of airship I dreamed of. In several scenes, the authors poke fun at fairy tale stereotypes and lighten the storytelling with jokes and thrilling battles. Intrigues, passions, fights - simply everything that an audience can appreciate. With the exception of really young children (because the film does contain some more drastic scenes), the film is truly for everyone. Overall impression: 95%. ()

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