Stardust

I only needed a pleasant mood, a head full of imagination, and a few minutes in the Wall. Thanks to the second projection of Stardust, it became the most pleasurable delight in a very long time. With this, I am paying a huge tribute to the story of Tristan, Yvaine, or Septimus, and I am slowly setting off to search for the star. This radiant enlightenment has given me a romantic mood for months to come. Vaughn, with numerous cliché violations and at the same time confirming all the necessary aspects of a great adventure spectacle, created a heartwarming film after which fairy tales will never be the same as before. Now excuse me, I'm going to dry my eyes. But it's not because of being moved, it's just some specks of dust that fell into them. Guess what kind. (07/07/2008)

Undoubtedly the biggest cinematic experience from the films of recent times. It is a very pleasant fairy tale fantasy, and very well acted, cast, and thoroughly handled both in terms of direction and script. An impressive romantic spectacle about the search for love and success in life. Contrary to some reviews, I don't think it suffers from poor set design. Scenes with the airship are among those that I will always remember, and as a boy, that's exactly the kind of airship I dreamed of. In several scenes, the authors poke fun at fairy tale stereotypes and lighten the storytelling with jokes and thrilling battles. Intrigues, passions, fights - simply everything that an audience can appreciate. With the exception of really young children (because the film does contain some more drastic scenes), the film is truly for everyone. Overall impression: 95%. (31/01/2009)

Gaiman's book is just heavy hype, whose biggest weakness is the author's inability to properly develop the themes of the "other" type of fantasy that he claims to be writing, which is why the expectations for the film were zero. It was all the more surprising to me in the end that I consider Stardust the best fantasy film since The Lord of the Rings. It won't impress you with bombastic special effects (the film was very heavily underfunded) or a sophisticated plot (it couldn't have squeezed more out of the book anyway). Yet from amongst all the films that followed Jackson, only now has a film come along that doesn't ooze producer calculations, but is instead shot with refinement, confidence, and proper authorial passion. Charlie Cox is likable, Claire Danes is truly as beautiful as a star in the sky, and Michelle Pfeiffer still exudes irresistible sex appeal. But none of them can compare to Robert De Niro, who clearly sensed that this was a proper role after all these years, and he enjoys his rugged captain with the tender soul of a transvestite so phenomenally that I (with apologies) shit myself with bliss. From a filmmaker's point of view, it's not worth top marks, but I nevertheless give it full marks for the sincerity that kept me endlessly entertained for two hours...with a wink. (20/02/2008)

An engaging story with a pleasant esprit of British dry humour and finally, after a long time, a fairy tale that does not make a fool of the children and delights the adults with its wit and the originality of its setting. I'm sure I'll read something by the oddball Gaiman sometime. Matthew Vaughn has grown up, and the likeable De Niro hasn't had such a rewarding role in a long time (his "travesty dance" in The Wardrobe is, I'd say, a rare moment in his long acting career). I don't mind the visibly limited budget at all, because this film has a soul and that's worth it. The slightly rushed finale is a bit of a pity perhaps, but otherwise it’s a very nice film. (25/12/2007)

A wonderful family movie made even more special thanks to Gaiman’s imagination and his feeling for story. Marvelous casting, from the beautiful Claire Danes all the way down to the horrible Peter O'Toole;everybody fits their roles perfectly and Vaugh demonstrates that he really knows his stuff. Why can’t life be a fairytale like this too? (28/04/2011)