Stardust

I only needed a pleasant mood, a head full of imagination, and a few minutes in the Wall. Thanks to the second projection of Stardust, it became the most pleasurable delight in a very long time. With this, I am paying a huge tribute to the story of Tristan, Yvaine, or Septimus, and I am slowly setting off to search for the star. This radiant enlightenment has given me a romantic mood for months to come. Vaughn, with numerous cliché violations and at the same time confirming all the necessary aspects of a great adventure spectacle, created a heartwarming film after which fairy tales will never be the same as before. Now excuse me, I'm going to dry my eyes. But it's not because of being moved, it's just some specks of dust that fell into them. Guess what kind. (06/07/2008)

Stardust is a gem with a playful soul hidden in an undignified shabby technical garb. That is, exactly the opposite of what is usually the case these days. P.S. About a year and a half later: With each subsequent screening (it's a small miracle in itself that I voluntarily watch something more than once), I love it more and more. Slowly, but very surely, it has become one of my favorites... ♫ OST score: 5/5 (09/02/2022)

A wonderful family movie made even more special thanks to Gaiman’s imagination and his feeling for story. Marvelous casting, from the beautiful Claire Danes all the way down to the horrible Peter O'Toole;everybody fits their roles perfectly and Vaugh demonstrates that he really knows his stuff. Why can’t life be a fairytale like this too? (28/04/2011)

After the two films I've seen from Vaughn (Kick-Ass and this) I'm still not convinced he's much of a director, but he's definitely a cool wingman. Stardust is a not-so-cleverly story edited affair (enough things here could have been resolved in dialogue and didn't need to be unnecessarily shown) that has little will to mask its social budget and devotes its own shot, if not scene, to every digital special effect, no matter how bad. You even realize at the beginning of the film that you hate everything that's been there so far. And yet without it, the gradual coming of age of not just the hero, but the story, probably wouldn't work. First you're delighted with details like the hillbilly Yvaine, the envious witches, the blue blood, and the brotherly shenanigans (with, again, the unbelievably perfect Mark Strong), then the whole direction the film takes with lots of perfect digressions to round out the plot, the best of which I would consider to be the relationship between the fearsome Captain Shakespeare and his crew of cutthroats. And I still enjoy the pirate rapists' tough-guy gesture to this day. "Now remember, Captain Shakespeare has a fearsome reputation." (03/05/2012)

Very good. When Matthew Vaughn's exuberant imagination is not enough, either Michelle Pfeiffer's ever more attractive witch or the amazingly funny Robert De Niro on a truly unique role step in with great gusto. The fantastic story and, above all, the world it creates are less appealing and holistic than, say, The Neverending Story or the still unique The Princess Bride, but I can't recall an American fairy tale where the director managed to combine a purely childish portion of entertainment with a purely adult one so brilliantly and seamlessly. Anyway, I am convinced that if Václav Vorlíček had had the same budget and technical possibilities in his time, he would have handled such an interesting subject a little more magically (though certainly not more entertainingly). 4* and a bit. (26/05/2014)