Life of Pi

It’s way too digital. The constant special effects annoyed and disturbed me all the time except for the perfect tiger, as did the camera, and the story seemed to me to just be ordinary. I couldn't worry about the main character during his journey (why should I, when we see him older, whole, alive and healthy at the beginning, right?)... I can't deny the visual impact of the scenes with the sky reflecting in the endless water surface, and I quite liked the interlude with the school of flying fish, but why did everything have to be so kitschy neon and digi-hallucinogenic? Moreover, the music (yes, the Oscar-winning one) is completely bland. Two stars would be too many. (09/03/2013)

People like to look for a noble, spiritual dimension in suffering. I suffered like a hyena for two hours, but I didn't find any such dimension (although "my mother is an orangutan" at least brought a wicked laugh to my lips). Objectively, it's very nicely colored, smooth and cleverly told, but I always prefer the adrenaline and animality of 127 Hours over the spiritual Circus Humberto. Perhaps one of the 33 million gods who spiritually sponsor this film will not send me on a ship with Suraj Sharma. Because at the moment I want to kill him. (05/12/2012)

A raw, uncompromising, unadorned condemnation of faith as a crutch. That is what the book is about. But not here in this illustrative adaptation which waters down the material into a suitable form for family viewing, turning it into an enchanting tale about faith. It’s simply a Persian pussy-cat kitten and not a full-grown Bengal tiger. All of the rawness (and so the chilling power that is the basis of this story) is gone; from the feeding to leaving out the part where he meets the blind sailor. The result of this is that the (stupidly put across) “Disney-like" adapted version of the lesson barely makes sense and provokes the wrong questions. Apart from this “detail", Lee handled this challenging material with flying colors. Especially once they get to the open sea, he excels, not only in terms of visuals. In terms of filmmaking, he is often impossible to beat; headed the best visual effect in cinema history - Richard Parker. Too bad for the nothing prolog and awful ending. P.S.: The dubbing is pure Hell on Earth. It’s the worst I have heard in a long time and the people responsible should be driven into the tiger enclosure at feeding time. On the other hand, the 3D was a pleasant surprise, used here unexpectedly ingeniously and sensibly, not just for effect. (07/12/2012)

Two stars are quite a decent result for a film that I didn't enjoy at all. Ang Lee approached the laws of physics his way, relied on CGI and made a film about high moral values, with no chance of appealing to me (a shallow individual). The film is technically distinguished, but its story left me cold. (02/06/2020)

When I left the cinema I thought I was probably expecting something deeper and more intense, but then I realised that I was actually expecting something like a beautifully colourful and bitter fairy tale with lots of digital animals, which I actually got. The beginning was kind of slow (maybe it could have been a little shorter), but the boat ride, the shipwreck and the fight for survival were absolutely amazing. Many of the scenes looked magical and were a feast for the eyes, for example the sunset or the night at sea. All the digital animals looked incredibly realistic (the tiger, the meerkats, ...), so kudos to the VFX artists. As for the main character, you have to take into account that this was the actor's debut and therefore you have to forgive him something, but in the end there wasn't much. In short, a colourful adventure of one boy that gives room to some interesting religious digressions. (25/12/2012)