Hellboy II: The Golden Army

Hellboy 2 was supposed to be a non-narrative film from the start. The giants rising from the ground, giant flowers that bloom during death, and winged reapers could have silently told a story on their own, and their presence alone would have worked visually even as metaphor, which they are. They work on a fundamental level; everything around them does not. (16/09/2013)

For having a budget of eighty-five million, del Toro delivers an incredible piece of theatre, but the plot itself gets somewhat lost. Gone is the flamboyance of the first film, when the in-love "red man" was spouting dry catchphrases, and in the dark alleys he would fight other monsters from time to time. It does go into some of the depth of the mythology, but del Toro would have had to take an extra half hour to really get the whole colossus rolling and not just jump from place to place to blow it all away in two hours. Fortunately, it's still done with that passionate creative love for the comics and it's enjoyable all the way through. I give it a weaker four stars. PS: I believe that under Jackson's patronage, The Hobbit will be a smash hit. (19/09/2008)

The shallow and awkwardly simple clash of good and evil wrapped in the most clichéd motifs. Good characters, evil characters, an old king, a young hot-blooded lad and heir to the throne, a princess, love, monsters, a final battle, etc. We've had something similar at least a thousand times before, and if it weren't for the solid wisecracks, the beautiful costumes and make-up (it's clear that del Toro loves colors and is not afraid to experiment), the high-quality visuals and Luke Goss, who knows how to kick ass, as fans have known since the days of Blade 2, there would be almost nothing here, because this boring tale didn't appeal to me even halfway as much as I expected. (20/11/2008)

The magic about “Hellboy" for me was always in its short, punchy stories. In longer stories, his strength, atmosphere and links with myths and legends fades, like it or not. Then it has to be scotch-taped together with a quickly thought-up mythology that is as dull as it is shameful. Unfortunately, Del Toro took the this path the second time around too. You can see that he concentrated on every last detail of this, but in doing so he forgot about the main thing. Entertainment. Despite action and humor aplenty, it just doesn’t work, even with a ton of tongue in cheek humor. If it weren’t for the central trio and the Ireland trip at the end (you see legends work better in myth-rich parts of Europe than on neon-lit Manhattan), so despite its pleasant visual aspect and a few nice ideas here and there (singing over a beer), it falls apart like Sparta Football Club did at Camp Nou Stadium in Barcelona. It’s good to watch, you certainly won’t get bored, but when the final credits came up I found it hard to remember what in fact happened. (17/08/2008)

I have to give it five stars. I simply have to. Not that anyone's forcing me to, but “Hellboy" is my favorite comic, and here it all looks exactly like it does on the pages of the comic books (although it's also completely different at the same time). Mike Mignola couldn't have found a man with more imagination and sense of atmosphere than Guillermo del Toro. I hope we get a third film. (26/04/2009)