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In a homage to exploitation flicks of the 70s and to horror classics like Zombie, The Thing and Dawn of the Dead, Robert Rodriguez brings to the screen a blisteringly fresh take on the zombie genre. But this time, he mixes it with noir inspired romance and a retro-futuristic energy of his explosive hit, Sin City. Rodriguez's macabre masterpiece has been stripped, weathered and aged to look as fresh as it is original. This is a heart pounding trip to the small Texan town ravaged by a mysterious plague, where the undead become warriors of the night, hurtling towards a destiny that will leave millions infected, countless dead and a lucky few struggling to find a safe corner of Planet Terror. (Roadshow Entertainment)

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Kaka 

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English Maybe crazier and more disgusting than the first part, and that's saying something. It is clear what this piece wants to say, so it is basically impossible to describe its qualities, as it is a patchwork of bad movies. But the resulting product is even weirder, bolder, and more interesting, there are no limits or barriers here. Are you a fan? Great, you will have a good time. You aren’t? You will turn it off after five minutes. More likely after ten, because Fergie in white is worth seeing. ()

Isherwood 

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English Unbelievable as it may seem, Rodriguez's cinematic knowledge trumps even Tarantino's, and his Planet Terror is an absolutely perfect concentration of genre deviations, quirks, and flaws. The only person who can search for a more meaningful plot is someone who abhors the trash aesthetic or has never tried it on his own spectator senses. This is the most daring film of the year, which piles one idea after another, culminating in Rose McGowan, whom I hereby dub the hottest tigress of this film season, and Rodriguez the bravest freak who is bothered by absolutely nothing (the deaths of animals or children). I want Machete immediately, or Grindhouse II! ()

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POMO 

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English While the dialogue was Tarantino’s Achilles heel, in Rodriguez’s case, it is the story. Despite these failings, both of the Grindhouse movies provide some delicious entertainment, and Planet Terror is an absolute king of the trash genre. On the “Troma scare”, I’d give it five out of five; on a normal scale, it gets three stars. ()

novoten 

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English Filmed with love, humor, irony, detachment, and above all, joy. With every other shot, I had the image of an enthusiastic Rodriguez bouncing around behind the camera and looking forward to the next take. However, it occurred to me too often that the times when Robert was able to restrain his ideas and give them a form that didn't require me to protest against overcomplication and lack of taste were long gone. Yes, you can enjoy Planet Terror without necessarily liking it. It flies by, Bruce Willis occasionally takes a breather, Naveen Andrews delivers a great performance, and Freddy Rodriguez shoots so much that it will make your head spin. Add to that perfect scenes like "the most badass character in the whole movie riding a children's motorcycle," and you'll find that the plot just doesn't stop. But it's a splatter film. And with that comes blood, slime, corpses, blisters, more slime, repulsiveness, twistedness, and an extra dose of slime on top of that. And that manages to bring down the entertaining ride to the level of a slightly below-average (albeit perfectly fast-paced) snack. 55% ()

kaylin 

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English It's still awesome. All those ideas in one place, great actors, and an incredible action with so much blood and gore that you just have to enjoy it because Rodriguez still knows the limit when it's not really disgusting. That's good because then you just have to enjoy this wonderfully B-movie. Of course, if you like B-movies. ()

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