Apocalypto

When I was 11, I read an incredibly comprehensive 8-part series about Tarzan and I completely fell in love with that world full of adventure, battles, and mysterious creatures. Back then, I dreamt that someone would make a movie that could visualize all that magic, adventure, action, and suspense. I think Mel Gibson could handle such a task admirably and that it would even be amazing. The problem is that Apocalypto presented itself as a real story set in the pre-Columbian era of indigenous cultures and at least the advertisement claimed that the viewer would learn a lot about these cultures. That is not the case at all. Apocalypto is a film that uses this setting as mere background for a very simple action-packed and quite bloody story about the raid and annihilation of a village. Native Americans did not fight or live like this. However, it is colorful, reasonably exotic, and dynamic. Gibson seems to be an average actor, excellent producer, and marketing wizard, but a problematic director. I would accept the film at least in its simple action-packed form, if it was also able to lighten up a little, but it takes itself too seriously and I cannot forgive that. Overall impression: 65%. (23/10/2007)

Gibson obviously doesn't like his characters very much for reasons unknown. Jaguar Paw goes through hell, sees his friends die and, badly wounded, fights for his bare life on land, under waterfalls or in deadly swamps, only for the sake of a simple mainstream story and to satisfy a popcorn audience hungry for blood, action and convenient clichés. It must be admitted that we all have at least a bit of such a viewer in us and that Apocalypto is a unique Hollywood adventure that is not boring, is loaded with adrenaline and brings a glimpse into a now mythical stage of human history that we have never seen before. Mel's laudable intentions, backed by an attempt at heavy naturalism and crowned with undeniable formal precision and efficiency, starting with the ancient language and believable actors and ending with the aggressive music, editing and attractive setting, are nice, but in the end they stand out terribly negatively and the targeted authenticity is undermined by the unnecessarily overblown "cinematic" brutality, the too conspicuously digital sequences (especially the monkey fight over the abyss was completely out of place), and finally the story itself, which is far too contrived to appeal the masses and relies on a kind of supernaturalism thanks to which the protagonist always escapes alive despite less than zero odds. It's great to watch and I'm very glad that something like this could be made, but next time it would need a more distinctive, less trite concept... 80% (06/02/2012)

It's not the ideal film. The script, despite its compelling point, works with unrealistic clichés taken from another genre. But to Mel's credit, he has turned many eyes of the world to this part of world history. There are never enough of these events. With the help of the original language, non-actors, and incredibly fascinating sets, he has achieved a true goal. Now there may be a wave that will eclipse even sword-and-sandal films, charting all those civilizations that have always been overshadowed for filmmakers by stereotypical antiquity. (04/01/2011)

It’s a pity the content is so rudimentary, because Mel Gibson proves that he doesn't care about Hollywood's standards and does whatever he wants. The concept of Apocalypto is already interesting in itself since there hasn't been a film about an ancient civilization like this before – if at all – so you must await with anticipation to see what will unfold. It's quite typical of Gibson, with lots of blood, a structured plot full of action and dynamics, plus a subtle hint of some kind of mythology that serves more for visual enjoyment. The enormous temples in the city are truly impressive. The presence of the digital camera was also somewhat debatable and unnecessary, but overall the level of entertainment is decent. It's a shame that it lacks the emotional depth that Braveheart, for exmaple, had. (13/07/2007)

It was pretty nice to hear a language other than English in a big American film, otherwise, Apocalypto was a disappointment. A lifeless and simple story stretched to an unnecessary length. Only the urban scene was interesting, at times it felt as if Cameron had found inspiration here for the Na’avi. I don’t think Gibson should feel very confident in his directorial qualities, I didn’t see even a hint of genius in Apocalypto. (04/08/2010)