Harry Potter and the Order of the Phoenix

People who can reliably distinguish between different directorial styles and the quality of the parts of the Harry Potter saga are a bit of a mystery to me, because Harry Potter is, in my opinion, a typical example of a project that significantly suppresses creative individuality in favor of the desires of the producer and the author of the literary source. All the parts that I have seen so far had a very similar value and only the details were different. My rating ranges somewhere between three and four stars. It is a generously made series with a corresponding budget, special effects, and overall production design, but it never was a film that captured my heart. It's simply a fairytale, behind which stands the worldwide success of the books. However, the fifth part started to tire me and I am leaning towards the opinion of literary critics who accuse Rowling of being pretentious and megalomaniacal. She can, however, console herself that she is still far away from Steel and other book production factories. I would be satisfied with just four parts that would thoroughly describe the story of Harry Potter without any filler or dull moments. Overall impression: 65%. (10/10/2010)

The only way is rebellion... And a proper one. David Yates has proven to be a hero, cut from the best representatives of Dumbledore's army, when he managed to create an almost perfect Potter adaptation, despite all the criticism about his TV roots and the television look of the first image and teaser. Just like in the book form, Order of the Phoenix became my favorite on celluloid as well. The new screenwriter, Goldenberg (for whom Phoenix was unfortunately the only Potter experience), tweaked every scene to deviate from the original, yet without disturbing its essence. Furthermore, the Hogwarts atmosphere thickened exactly as I had imagined. Yates multiplies every hint of depression and turns Umbridge from unpleasant to unbearable, and from unbearable to the absolute nemesis of all of Hogwarts. Dumbledore then gains the aura of the most powerful living wizard, and his final duel with Voldemort takes your breath away, just like the surprisingly well-processed mythology surrounding divination, the connection of both magical opposites, and it even includes my favorite book part with Snape's memory. I am looking forward to the Half-Blood Prince even more, as Yates will be able to unleash himself from a more secure position. The fans are eagerly awaiting. (15/08/2007)

I never really liked this story, both in book form and in the movie form. For me, it's the weakest piece, even though "The Half-Blood Prince" is quite decent, mainly because the movie finale there was absolutely disappointing. "The Order of the Phoenix" is just a kind of empty space for me, waiting to see how it actually turns out. (30/12/2014)

Potter literary phenomenon has always gone past me (and probably will continue to) and I take their film adaptations as a parade of pretty pictures and good visual effects to see once, digest pleasantly and forget. However, David Yates succeeds where even Cuarón failed: to fully draw me into the plot and awaken my interest in the fate of the characters. Maybe it's also due to the source material, which thickens from episode to episode towards a slightly horror atmosphere, which is only a good thing. And Stephen King is right, Dolores Umbridge, with her sweet yet sinister smile, is indeed one of the nastiest female villains ever to appear in a film (Nurse Ratched from Forman's One Flew Over the Cuckoo's Nest would be jealous) PS: Kids will be probably get bored, there are few cute creatures and vermin, and they won't even get to see the quidditch. :) (31/07/2007)

“How dare you speak his name?! You filthy half-blood!” –– Well, look. Steve Kloves was told to piss off somewhere, and behold, this is my favorite movie of the entire Potter saga, thanks to which I was finally, after all these long years of waiting for the right Potter movie to get me, immersed one hundred percent into J.K. Rowling’s fantasy world, and was able to award it five stars in good conscience. The previously unknown Mr. David Yates has emphasized the dark atmosphere of the movie, which really literally engulfs you. In addition, as soon as the amazing Dolores Umbridge, played by the incredible Imelda Staunton, starts to cast her spells on the screen and is so nice to everyone around her that she makes you want to throw up and laugh out loud at the same time, you will be surely reminded of at least one former teacher in it (well, I recognized several). I still remember sitting in the last row of the movie theater and my friends and I would sit in suspense every time Filch nailed Umbridge’s decrees to the wall, waiting impatiently for Filch’s ladder to finally fall. I thought the cast were the most likable in this installment so far, even more so when their ranks were perfectly complemented by Evanna Lynch (I just love that “completely out of it” look of hers!), my beloved weirdo Helena Bonham-Carter (as always, absolutely superb) and also Mr. Hooper’s great soundtrack, which, especially in the finale, perfectly underscored the whole atmosphere of the movie. It is just a real shame that the next installments are to be written by that dumbass Kloves again. –– Edit:  So after watching all eight installments of this franchise, I dare to say that this one outshines the others by a very wide country mile, and in fact it is the only installment where I felt the same excitement while watching it as I did while reading Rowling’s books. It is just so totally obvious that a different person was hired to write the screenplay for this movie. (24/06/2008)