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Big oil means big money. Very big money. And that fact unleashes corruption that stretches from Houston to Washington to the Mideast and ensnares industrialists, princes, spies, politicos, oilfield laborers and terrorists in a deadly, deceptive web of move and countermove. (official distributor synopsis)

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Reviews (10)

DaViD´82 

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English Everything is connected. The problem with Syriana lies not in the topic, nor in the actors, nor in it the fact that it is so uninteresting. And definitely not in the fact that Stephen Gaghan demands from his viewers a certain amount of knowledge and desire to get right inside this movie. The only, unfortunately fundamental, problem with Syriana is that it doesn’t seem like a movie. Gaghan couldn’t define his priorities and tries to put everything into this. Which is very damaging for the movie, because despite how outstanding some of the storylines are, others are simply boring. On the other hand, these rather mixed feelings about the movie are made up for by the perfect ending. As a screenwriter, Stephen Gaghan has a lot to say, but as a director he doesn’t (yet) know how to present things like a regular movie experience with all the trimmings. ()

Kaka 

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English Thematically, it’s a very interesting and relatively fresh thriller, but it can confuse to death the average viewer ignorant of the local oil battle, and therefore the main. The plot structure is complicated, the intertwining of several stories is veiled, and navigating through them is an extremely difficult nut to crack. I see that as the most fundamental flaw of the film. The screenwriter should be aware that the majority of people are not involved in the oil industry, so they simply do not know, do not understand and cannot keep up, and the total mess the names is just an additional bonus. A bit more clarity and explanations, a bit less gas and some additional emotions, and it could have been a top-notch political thriller. Like this, it is a smart and unnecessarily complex film with a much simpler core, which is as dry as a hundred-year-old whiskey. Minimalist music and a few raw scenes do not make a good film either. ()

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Isherwood 

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English A disturbing look at the subject of the oil trade, which is not afraid of an incorrect view from all possible angles. In a convoluted system of names, corporations, and relationships, Gaghan demands the viewer's utmost concentration, for which the more perceptive will be royally rewarded. Whoever wants to, go ahead and bitch about the emotional coldness and overall lack of compactness. But this is a tough business that is difficult to understand, so only the toughest people will win. From now on, every time I fill up my tank, I remember how much "dirt" is actually floating in it. ()

Remedy 

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English Exactly the kind of film that pontificates on a very pertinent and topical subject but in a completely uninteresting way. Too many plot lines that somehow fit together in the end, but at the same time cause almost certain viewer death. As a political study of international relations focusing on the oil industry, this could work quite well. It's too convoluted a subject for a feature film which is also portrayed in an extremely unimaginative way. [50%] ()

kaylin 

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English The Middle East and the East further beyond the Persian Gulf continue to be very pressing issues that afflict the population and, of course, politicians. How to respond to the terrorist threat, what tools to use? And what about the people, our own people, who have done quite dirty work for the government but are becoming at least inconvenient for further progress? Some government practices are simply unjustifiable, but all the more reason to know about them. The film "Syriana" shows what can happen to people if they pursue goals they believe are in the nation's best interest. But is it up to a select few to recognize and decide this? The question is quite unnecessary, because that's just how things work. We don't know what the government does with individuals, we only know what it does for the entire nation. Agents don't have it easy, not only because their enemies can do as they please with them, but sometimes they can't even rely on their closest allies. George Clooney finally got a role in this film that earned him an Oscar. It's a beautiful example of how a TV actor can become a respected actor, but also a creator, because he is also a director and screenwriter, and he has nominations for an Oscar in both categories. The role suited him perfectly, but he doesn't have that much space here. His performance in the film also depends on the fact that he has gained some weight and learned foreign languages. I have to say that he didn't impress me otherwise, but I don't think it's because of his performance. "Syriana" in general did not sit well with me, mainly because I haven't been enjoying political films lately. Perhaps I should save them for a more suitable mood. More: http://www.filmovy-denik.cz/2012/11/sahara-stormbreaker-syriana-andelsky.html ()

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