Directed by:
Shane BlackScreenplay:
Shane BlackCinematography:
Michael BarrettComposer:
John OttmanCast:
Robert Downey Jr., Val Kilmer, Michelle Monaghan, Corbin Bernsen, Dash Mihok, Larry Miller, Rockmond Dunbar, Shannyn Sossamon, Angela Lindvall, Ariel Winter (more)VOD (1)
Plots(1)
They say love and money don't mix, but you cant blame Harry Lockhart for trying. He's been whisked from a life of petty crime to Hollywood, where hell audition for the role of a movie detective and be tutored for the part by a private eye. Now all he has to do is convince the dream girl he meets that he's a real detective. And not stumble over the corpses as reel life abruptly gives way to the real. Lights, camera, plenty of action! Shane Black provides the screenplay and makes his directing debut in a cleaver fusion of buddy movie and hardboiled noir produced by Joel Silver. Robert Downey Jr., Val Kilmer and Michelle Monaghan play the thrust-together trio a nave schemer, a tough-as-nails gay detective and a hopeful actress clinging to her dream. Kiss Kiss, Bang Bang, Watch Watch. (Roadshow Entertainment)
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Reviews (9)
The film is actually just another slightly above-average action-crime-comedy that is not nearly as original and cool as it tries to be from the opening seconds, and is only kept significantly afloat by great performances and that slightly offbeat take on today's Hollywood. Downey in particular is classically excellent and rules in every scene, but Michelle Monaghan with her big cleavage also has something going for her. Overall, the unconventional approach to the traditional plot and the ubiquitous attempt at humorous interludes, which are usually successful, are fine, but I still couldn't shake the feeling that this is no great piece of screenwriting as far as individual scenes are concerned. But that doesn't take away from the fact that I had a great time, that those 100 minutes flew by quickly and that I don't regret a single moment I sacrificed for this film.
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Insights gleaned from reading trash mystery novels and watching B crime dramas in a heavyweight mix of apt verbal shootouts and indiscriminate slaps at the stars of today from Dream Factory. Shane Black earns full marks in his main discipline, but not everyone is given the ability to give more than a grey routine shape to a brilliant script from behind the camera. It would take either old scoutmaster T. Scott or the younger Joe Carnahan. That’s unfortunate and it doesn't deserve 4 stars the first time, and sadly, it also doesn't entice a second watch.
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"Look up idiot in the dictionary, and you know what you'll find? "A... picture of my face? "No! The definition of the word idiot which you fucking are!." I have not laughed this hard in a long time. I got exactly what I expected, and I am completely satisfied. There is some black comedy, the vice-ridden world of Los Angeles, an interesting storytelling style, unexpected twists, and awesome characters. Robert Downey Jr. and Val Kilmer had a blast, and I also had a great time. 9/10.
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I had a great time, the verbal exchanges between the central trio are devilishly funny and the situations they all get into are subtle. Apart from being funny, the script is also quite complicated and I admit that I got lost in it at first. But it will be better the second time around - and I will watch Kiss Kiss Bang Bang again soon, that's for sure.
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Great genre crossover. Noir is parodied here and at the same time receives a proper tribute, and buddy movies, as a practically dead genre, get a substantial injection for several years ahead. Above all, the central duo of "Perry the Gay Guy and Harry the New Yorker" can convincingly toughen up, turn established tough-guy tricks on their head, and surprisingly get under the viewer's skin from the opening minutes.
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