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It is the time of the Crusades during the Middle Ages - the world shaping 200-year collision between Europe and the East. A blacksmith named Balian (Orlando Bloom) has lost his family and nearly his faith. The religious wars raging in the far-off Holy Land seem remote to him, yet he is pulled into that immense drama. Amid the pageantry and intrigues of medieval Jerusalem he falls in love, grows into a leader, and ultimately uses all his courage and skill to defend the city against staggering odds. Destiny comes seeking Balian in the form of a great knight, Godfrey of Ibelin, a Crusader briefly home to France from fighting in the East. Revealing himself as Balian's father, Godfrey shows him the true meaning of knighthood and takes him on a journey across continents to the fabled Holy City. In Jerusalem at that moment - between the Second and Third Crusades - a fragile peace prevails, through the efforts of its enlightened Christian king, Baldwin IV, aided by his advisor Tiberias, and the military restraint of the legendary Muslim leader Saladin. But Baldwin's days are numbered, and strains of fanaticism, greed, and jealousy among the Crusaders threaten to shatter the truce. King Baldwin's vision of peace - a kingdom of heaven - is shared by a handful of knights, including Godfrey of Ibelin, who swear to uphold it with their lives and honor. As Godfrey passes his sword to his son, he also passes on that sacred oath: to protect the helpless, safeguard the peace, and work toward harmony between religions and cultures, so that a kingdom of heaven can flourish on earth. Balian takes the sword and steps into history. (20th Century Fox AU)

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Reviews (9)

lamps 

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English A disappointment that I want to forget very quickly. I was expecting quite a lot, but all I got was a dusty, tired story with a model instead of an actor in the lead role that put me vehemently to sleep from the middle. I could have managed an hour and a half, but 144 minutes of political and moral talk and a final spectacular battle for 130 million, I could only barely stand that. I was even sorry for the other brilliant actors who wasted their times here. ()

novoten 

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English Ridley goes on a crusade without fear, but he came late. At a time when the end of heroic epics was being openly discussed, he embarked on a path destined for failure. A politically directed and brilliantly crafted path, but unfortunately, very risky. His direction, the stunning camera work, and, last but not least, Gregson-Williams' chilling music take your breath away. And when the sword is bravely lifted by the deeply underestimated Orlando, I can only nod approvingly and follow him to Jerusalem. ()

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Kaka 

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English Another historical film that needs to be seen at least twice in order to understand the plot and expressive depth that it possesses (similar to Alexander). Not every viewer will be able to reconcile with the fact that Kingdom of Heaven is not a typical historical film with everything that comes with it, but that it expresses something more through historical events, battles, love, and characters, than just what happens on the screen. This is even more pronounced than in Alexander. Kingdom of Heaven is an ode to world peace and finding the meaning of life. It is narrated, acted, and directed in a captivating way (the director's cut). Ridley Scott grabbed the reins and made a smart film that not everyone will see through. ()

Marigold 

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English Ridley Scott's Gladiator is said to have launched a major comeback of historical-mythological epics in the year 2000. And it is said that Kingdom of Heaven by the same director is a kind of last chance of this genre, which shone after less than five years, collected a lot of awards and is gradually clearing the way for a more lucrative Hollywood item. If that's the case, then Scott composed another go for the spiritless and empty Gladiator at just the right time. Kingdom of Heaven is not a flawless work, it is a typical "more successful Hollywood spectacle," characterized by partial courage in relaxing the form in favor of the content and a noticeable phobia of doing so as a result. From the very first seconds, it is clear that the scenery and artificiality of Gladiator did not stem from Scott's momentary weakness, but rather that the English legend could not imprint a certain specificity on historical places and persons... everything is artificial, clearly sketched, functioning according to the mechanical rules of the average screenplay. The people are only black and white, all places radiate the halo of a costly expedition, but they lack the hallmark of authenticity and suggestion. But while the backdrop of Rome was covered with great nothingness, the backdrops of the 12th century have at least something worth exploring. At the heart of the film is Orlando Bloom, who has finally managed to play someone other than a soulful elf prince. True, his panic purity remains, but the young idealist Balian has a human, flawed aspect. The fact that it remains only on the plane of a sketch, on which Scott piles up garish paste clichés, is another matter. Fortunately, the young star is backed from all sides by excellent actors, of whom I must particularly mention the charismatic Marshal Tiberias played by Jeremy Irons. Kingdom of Heaven has little to do with history - it is a film that is more or less current and uses the backdrop of the Crusades and the Middle Ages only as a means of sending a message of tolerance between Christians and Muslims. It is a moralistic message, in a way presented tamely, but above all fun and, at certain moments, very impressive (the battle between the Christians and Muslims in the ruins of the holy city walls). Questions of faith, honor and sacrifice are heard in typically cautious packaging, but it's good that they get their place... If I think of the excellent soundtrack and relatively well-conceived battle scenes (the fact that Scott confuses the early Middle Ages with fantasy is something I prefer to leave out), this is one of the best representatives of a "historical" film, beating both Troy and Gladiator. Kingdom of Heaven isn't a great film, but it's a film about something that's appreciated. ()

D.Moore 

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English The director's cut is something incredible! I didn't think I'd ever like Orlando Bloom... And lo and behold, his Balian was good! Big kudos to all the filmmakers - from the director to the music composer to the set designers, costume designers and the guys who provided towels and cold water on set. Kingdom of Heaven IS on the same level as Gladiator. Actually, no, it's even better! Nobody makes historical films like Ridley Scott. Awesome, awesome, awesome. ()

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