Almost Famous

I'm glad I saw this and can't say I didn't like it. At the very least, though, it's fair to mention that the longer version (The Bootleg Cut) is unnecessarily drawn out in places (especially in the exposition and at the end). Plus, the film just isn't good enough to keep you unreservedly entertained for the entire two and a half hours. It certainly works as an appealing type of generational statement, and hardcore fans of classic rock will definitely enjoy it, but despite the feel-good vibe of the whole thing I couldn't help feeling that the filmmaking craft here was only slightly above average at best. Even in terms of emotion, it wasn't as strong as I thought it would be. Definitely an enjoyable feel-good film, but that's about it. [65%] (13/01/2022)

An unusual film experience, whose greatest advantage are gripping concert scenes that take the viewer to the very edge of ecstasy, and I'm not even a big fan of rock music. Cameron Crowe's concept of the story and rock as art and cult is impressive, despite the uneven pace. The whole film carries a haze of nostalgic atmosphere from the 1970s, which speaks to me even though I wasn't born at that time. And that was, in my opinion, Crowe's main intention, to appeal to a wide range of audiences and show what that era was like, and he succeeded to the dot. In his rendition, it is truly outstanding. (21/01/2006)

I really like rock music, but that fact didn't help me much to get me through this film. It's a decent retro, it has good actors, it's human, and the pleasant emotions are not unnecessarily exacerbated, but it just couldn't grab me by the heart, which personally surprised me quite a bit, because I thought I would like it. (21/02/2018)

Cameron Crowe is a rock fan through and through, and you can feel it in some of his films from a hundred lengths of Wembley Stadium. Almost Famous is a nostalgic reminiscence of a time when rock music set the direction and its representatives were social icons: the golden 70s. A nice, clever story, with many life truths and likeable, unassuming faces. And I’m throwing in the fifth star for the incredibly funny "manifesto" of sincerity in the airplane scene. Now, tell me, can you resist a film that has lines like this?: “If you think Mick Jagger will still be out there trying to be a rock star at age fifty, then you are sadly, sadly mistaken.” (02/09/2009)

Dear film, the profaned term "like real life" fits you like few others. Poor William accidentally gets into the backstage of a rock concert in the role of a semi-amateur journalist and from there, it's just a step to his involvement in the big tour of his favorite band. And on top of that, it seems like he has fallen in love with a fellow traveling fan, whom he will never have. If there was something captivating about this film for me, it was precisely William's storyline with Penny Lane, which emotionally practically broke me apart, and during most of their dialogues, I honestly had an authentic feeling in my stomach that would be enough for me to never forget Almost Famous for the rest of my life. Here, Crowe hit the bulls-eye and it's even more of a pity that their story, in a way, remains untold, and the film focuses more on the bromance of the main character with Russell in the remaining runtime. (20/06/2006)